All in Painting
I experienced the computer less as a tool and more as an environment—one that behaved, responded, and occasionally resisted. It did not simply execute my intentions; it altered them. Meaning emerged through dialogue, iteration, and unpredictability, offering a way of knowing that could not be accessed through analog methods.
I create art as a means to understand and interpret the world around me. From a young age, I found solace in the interplay of colors, textures, and shapes—elements that could convey stories beyond the capacity of words. My artistic process is deeply intuitive, involving a continuous cycle of layering, erasing, and rebuilding. This approach reflects the way each of us navigates our own evolving identities. Through my work, I hope to evoke moments of recognition and connection, fostering a sense of shared experience with others.
I am a Hungarian painter dedicated to creating unique, personalized artworks that transform spaces and evoke deep emotions. My artistic journey began with decorative wall painting, which gradually led me to the canvas, where I found my true passion. Each painting I create is not just a visual piece but a deeply personal expression—an artwork that tells a story, recalls memories, and becomes a meaningful part of its owner’s life.
Everything starts randomly, like a sort of throw of the dice: placing geometric shapes on the stretched canvas or paper based on the principle of composition. Each shape carries within it the design of the six or seven others that compose it: lines and forms emerge from this intersection, which itself generates many more to come. Gestures, color fields, and lines, whether white, black, or colored, attach in turn to these generative forms in the unpredictability of a “free association” process.
For me, making marks is the initial objective. Finding images that speak to me in an intuitive and expressive manner remains the goal each time I work. I think of myself as a painter first with no constraints. However, I also find working in 3D to be just as satisfying as painting or drawing. After years of creating work, I still find the beginning of a piece to be as exciting as I remember my first efforts.
Regarding “existence” and “mind,” I hold a singular philosophy within my own worldview, one that rejects all preconceived notions. At the foundation of my creative practice lies the eternal resonance of painting, shaped through a spiritual dialogue inherent in “existence” itself. I perceive the complex dynamic and static patterns that permeate nature as manifestations of space and time, and I intuitively sense and render the soul and emotions dwelling within the subject.
The purpose of my work is to transmit cosmic knowledge through color and visual beauty. Cosmic knowledge sought me to carry out this creative work. I have only let myself go. The evolution of technology is intimately related to my creative process. And technology is connected to cosmic beings. So there is a transmission of cosmic beings to the viewers of my photographic work. In reality, it is my duty as an artist to generate this transmission of data and emotions. And thus evolve.
What it means to me to call myself an artist. There is no greater feeling to start with nothing To begin a journey with no idea where it will take you To trust in yourself Not worrying about what others think Having the courage to tell the world This is who I am And this is my vision
Hiromi Watanabe, also known as Yuriko, is a contemporary Japanese artist from Tokyo. She specializes in spontaneous watercolor paintings on paper, deeply and intimately expressing her inner emotions. Celebrated for her distinctive sense of color, she demonstrates exceptional skill in watercolor croquis. To date, she has held 18 solo exhibitions and participated in over 130 group shows, presenting her work internationally in four countries.
Gayle Printz, the World-renown Founder of Modern Abstractionism, turned the contemporary art world upside down with an intensity comparable only to the paintings she creates. Based in the United States, Printz achieved professional success practicing law in New York City and Atlanta following a distinguished academic career at the University of Pennsylvania and Boston University School of Law. But it was not until May of 2020 that Printz picked up a paintbrush. Hoping to bring life back to a world plagued by the pandemic, Gayle Printz soared to international fame by creating a revolutionary new style of visual expression articulated through an unprecedented artistic language never before heard. Printz’s paintings speak a uniquely universal language in a voice that embraces our communal soul, making Gayle Printz’s unmatched contributions to the art world historically enduring.
My art is a dialogue between psychology and painting — a space where inner conflicts, fears, and existential questions take visual form. Drawing on psychoanalysis and Gestalt therapy, I explore identity, time, and the fragile boundary between illusion and reality. Each work reflects an emotional experience — despair, anxiety, temptation, or the search for self — embodied through vivid contrasts of light, shadow, and symbolic imagery. My goal is to reveal what is usually hidden and to give voice to the invisible and unspoken aspects of human existence.
As a visionary artist, I embark on a transformative journey to unravel the profound depths of the human experience. My artistic practice is a symbiotic dance between imagination and reality, where I strive to transcend the limitations of the tangible world and explore the infinite realms of possibility. My art should captivate the viewer so that they can get lost in the vast horizons of the present. What triggers me to create a painting are the emotions I want to pass on, which is also why people might identify with my works. Instead of letting myself or my art down on the spectrum of political or elite thoughts, I want the viewer to find truth when decoding my works. The layers I aim at are way above that and deal with consciousness and the highest off all. LOVE
Nathalie Gribinski is a French-American abstract artist born in Algiers, raised in Paris, and now based in Chicago. Originally trained in law, she transitioned to the visual arts after moving to the United States, studying fine arts and graphic design before establishing her studio practice.
I see my work as a parallel system of coded information. The flowers, the forms, the textures—they are not just images but systems of meaning, built through labor, through repetition, through the body’s engagement with the canvas. They are a kind of financial metaphor: not in numbers, but in the way they accumulate, resist, and hold value in a different form.
Dana Ingessons paintings is not to be looked at but to be experienced - to stand in front of it and hear whispers of colors, cracks and silence. Dana Ingesson's art invites a quiet conversation – where color, form and mood together weave stories that have no beginning or end.
In the last three decades, Standa has been creating wall-mounted, cast resin, and aluminum sculptures combined with canvas and gold leaf, and I have been exploring the computer as an art tool for creating digital artwork. All his life, he has loved to create art full of emotions and feelings, "soul," with the satisfaction of fun. He is also interested in the balance and composition of colours and objects rather than the items' reality.
(María Aparici (Valencia, Spain) studies at the School of Applied Arts in Burgos and later moves to the USA where she completes her training, graduating in interior design from the New School for Social Research of New York (1988-1992). Back in Madrid, she continues to study painting with Amadeo Roca and finally obtains a Master’s degree in painting from the Academy of Fine Arts at Madrid’s Complutense University (1998).
First an abstractionist, Malone investigates his themes, people and landscapes in several other painterly genres as well. Lately his approach to painting has evolved into an amalgamation of these influences and, coupled with a renewed emphasis on narrative, has led him to a signature style and palette in his latest series, Rust unto Gold.
I work with fragments, surfaces, and the slow language of erosion. My images are not constructed as scenes, but uncovered as traces – layers shaped by time, interruption, and quiet transformation. What appears is never complete; it lingers between presence and absence, structure and dissolution. The work invites a pause, a moment of listening, where memory settles into matter and silence becomes part of the image.
Tom pursued his natural sciences studies at the universities of Berlin, Rochester (New York), and Paris, while also attending fine arts classes at academies in each of these cities. After earning his PhD in radiation chemistry from the University of Paris, he focused on research and projects in artificial intelligence, knowledge management, and innovation strategy.
