All in Painting
My name is Kate Huang, I was born in 1983 Kaohsiung City, ROC. In 2011 graduates from the Taipei National University of the Arts Fine arts Creation. Specialties-Graphic Design, Painting (Acrylic, Sketch, Watercolor), Clay, Computer Graphocs. Most of my creations use brain cells as the theme of creation to illustrate the interpersonal relationship between people, and combine the abstract internalization with the external scenery to express the internal and external states.
I approach my work as being open to interpretation. When I am working on a painting would never think about meaning. I will always leave the meaning to the viewer. There is always a push and pull with the canvas. I only do what it tells me to do.
My name is Ambro Louwe. Born and living on the Netherlands. I like to make colorful paintings, different kind of sculptures and “wallscapes”. Nature and human emotions are my inspirations resulting in in a combination of abstraction and dynamic forms. I like to work in variety of materials and techniques.
We’re all unique. My particular uniqueness lies in the journey I’ve made – from being a damaged “caterpillar”, to undergoing an extraordinary and alarming transformation as a “chrysalis”, and eventually becoming a “butterfly” in the sunshine: finding my freedom as a person and as an artist.
Tatyana Bondarenko is an abstract expressionist and visual designer with over 15 years of professional experience in graphic design and a degree from the Institute of Design and Advertisement in Moscow, Russia. Guided by intuition, her work explores the subconscious through layers of color, movement, and sensation, serving as an outlet for self-expression and emotional release.
Nora is a Hungarian artist-painter with the artist name Mano. She was born in Hungary and is still living in the Hungarian capital, Budapest. She’s been painting with oil on canvas for more than four decades, inspired first by the beautiful landscapes in Hungary and other countries where she has been living with her family for a few years (Sweden, Israel, Belgium).
Eric Hubbes is an artist whose work bridges the realms of science, philosophy, and aesthetics. Based in Bonn, his atelier serves as a creative hub where he works on canvas and paper, utilizing a wide range of materials and techniques—including acrylic, watercolour, marker, charcoal, texture paste, and collage. His creative journey explores universal themes such as transformation, interconnectedness, and the cyclical nature of existence. By integrating elements of quantum mechanics, chaos theory, and surrealism into his art, he creates visually compelling works that challenge conventional perceptions of reality.
In her painterly practice, Naomi Okubo develops beautiful and seductive images that mask darker themes relating to her adolescence and that are connected to greater problems and inconsistencies in society.
I often think of my paintings as visual poetry. Just as poetry distills emotion and meaning through rhythm, structure, and metaphor, I try to evoke similar layers of resonance through color, texture, and composition. There’s an economy of language in poetry that I find parallels the expressive choices I make in painting—how a single brushstroke or shift in tone can capture a complex emotional state.
I have always loved the texture and paint strokes of oil. I love the three di-mensional feel of it and I try to achieve that with heavy impasto brush strokes. One of my approaches is to use underpainting and glazing to achieve brilliance. It can be done in oil, but it is time consuming. Acrylics dry within minutes and allow you to almost immediately glaze over the underpainting. I use almost every paint tool designed to build up layers , lay in fine lines and blend soft boundaries in skies. Acrylics allow endless layers of paint as the image is built up and I think it results in depth and complexity
When I start a painting, I have a blank canvas. I don't sketch the design out; I freeform it with spontaneity. In my mind, I know how the design is going to be, but I approach it like a jazz musician—I freeform it.
Dr Natalia Jezova is awards wining, multidisciplinary artist based in London. She communicates through a wide variety of media, including painting, film, photography and installation. Her art addresses cultural memory, identity and gender issues.
Janie Dugan stands as a visual philosopher, a contemporary seer whose works offer both an elegy and an invocation. Much like the medieval illuminators, the Surrealists, and the Abstract Expressionists before her, she understands that the artist’s role is not merely to depict but to reveal. In her inked forms, in her layered compositions, one finds echoes of something ancient, something future, and something entirely now.
The work of Ivana Gagić Kicinbači stands at the precipice where materiality and transcendence converge. This Croatian artist, who navigates the liminal space between drawing, visual poetry, and digital printmaking, produces a body of work that does not merely invite observation but rather demands contemplation. The essence of her artistry is deeply rooted in the metaphysical, resonating with a pursuit of inner freedom, an engagement with temporality, and the revelation of the sublime through matter.
Henrique Diogo, a self-taught contemporary artist from Poços de Caldas, Brazil, is a striking figure in the modern art world. At just 24 years old, his work already exudes the maturity and depth of a seasoned master, demonstrating an extraordinary ability to merge theoretical knowledge with artistic intuition. His career, deeply rooted in philosophical and mathematical exploration, transcends mere aesthetics to offer a synthesis of human thought through abstract art.
Nada Kelemenova’s contribution to contemporary art is invaluable. In a world increasingly detached from the organic and the metaphysical, her paintings serve as portals to introspection and reconnection. She stands at the intersection of tradition and experimentation, merging classical techniques with modern structural approaches. Her use of nature as both subject and muse reminds us of our fundamental ties to the universe, while her abstractions challenge the way we perceive reality itself.
Art is so good for the soul. I live and breath art and try to create how I feel. I want people to feel joy and excitement when I show my art. I like a narrative, it has many meanings for the viewer to contemplate within the story. Colour to me is so important to bring the artwork to life. I love all mediums different subjects need different mediums. I enjoy using GoldLeaf to make my art pop.There is never enough time in my life to create everything I want to portray.
Tina Corrales-Mader is an American artist born and raised in Los Angeles, California.
She began her love of visual arts at a very young age mesmerized by Mexican folk art all around her. Growing up, Tina quickly recognized that colors, shapes, forms, music, and creativity is such a basic necessity and she needed to embrace it in any form.
My work uniquely blends photography, painting, and digital editing, effectively dissolving the boundaries between these mediums. This fusion prompts viewers to engage deeply, often leaving them questioning the techniques and processes employed. My creative journey is driven by a desire to stimulate both the mind and emotions of her audience.
From an early age, I was drawn to museums, and my love for Impressionism took shape during those formative years. The play of light, the balance between abstraction and realistic touches—these elements captivated me and left a lasting impression that has stayed with me throughout my life.
