All in Photography
Isabel Herrera’s photographic works evoke a certain ethereality, where the everyday dissolves into the enigmatic depths of dreamscapes. Her artistry bridges the gap between the conscious and the subconscious, inviting viewers to explore the hidden corners of their own minds. In these images, reality is not simply represented but is reimagined and transformed, speaking to the ephemeral nature of memories and the fluidity of dreams.
The photography of Pablo Guillamon offers a stirring tableau that captures the essence of diverse cultures, architectural marvels, and the vibrancy of human life. Each piece in this collection is not merely a photograph; it is a narrative woven through the lens, creating a compelling visual dialogue with the observer.
Manuel Morquecho's photography is a profound visual journey through the existential questions that define our humanity. His images, stark and evocative, invite viewers to a contemplation that is both introspective and universal. They are not mere moments captured in time but are, instead, timeless narratives that resonate with the enduring quest for meaning that is the essence of a philosophy for human existence.
We are proud to present our First Printed Issue 1
"Top Contemporary Artists to Watch in 2024."
This curated publication showcases a carefully selected group of artists whose visionary work promises to define and influence the World's Contemporary art scene in 2024.
Could you share with us the story of how you first became interested in photography? What were your initial steps in this field, and who or what were your early inspirations and influences?
While at the school of Architecture in Florence, Italy I became a very good friend of a fellow student who was also very interested in photography. We ended up traveling together through parts of Europe and N. Africa after the school year taking pictures. We inspired each other. My early inspirations were Avedon. My first serious camera was a Rolleiflex twin lens reflex because that's what he used. Then later, I loved the work of Guy Bourdin and Hiro.
Wenwen Du's photographic anthology, a reflective series of photos, is a compelling invitation to traverse the realms of existential musings and the philosophic undertones of everyday existence. Each photograph, a vignette capturing the ephemerality of life's instances, is imbued with a deeper, often introspective, narrative. This review will delve into the collection, unraveling the layers of meaning nestled within Du's visual tapestry.
Lliam Greguez's ICE photo series is a riveting collection of images that captures the ephemeral beauty of ice in its natural environment. Each photograph in the series is a testament to Greguez's eye for detail and his ability to find artistry in transient moments. What sets this series apart is its ability to make the viewers feel the textures and temperatures of the scenes depicted, bridging the gap between the visual and the tactile.
Bruce Cowell's collection of fine art photography is a testament to the power of visual storytelling through the lens of a camera. His work is a captivating blend of humanity, nature, and the urban landscape, each frame meticulously composed to not only capture a moment in time but to also evoke a profound emotional response from the viewer.
In your professional journey, what have been some of the most significant challenges you've faced, and how have you adapted your approach or technique in response to these challenges?
I feel a bit sheepish in admitting it, but, instead, I’ve been surprised, even amazed, at the success I've had.
There are, of course, the technical challenges from continuing to work in film—finding film suppliers and processors. For a time, I figured I would be compelled to switch over to digital photography despite my preference for the film image, but, although I still consider myself one of the dinosaurs who sees the asteroid coming, I no longer think film photography will die out before I do…
The photographic oeuvre of Katrin Loy is an intricate tapestry of emotional depth and cerebral landscapes, a profound exploration of the human psyche in its most unguarded state. In Loy's artistic statement, she professes an intent to delve into the essence and soul of humanity, capturing the perennial struggle for vision, the constant grappling with utopias and abysses, and the intimate encounter with the self and the other.
Danny Van der Elst's photography captures the delicate interplay of light and shadow, creating an evocative dance across the contours of the human body. These images are a testament to the photographer's mastery of visual storytelling and command of the camera. The use of natural light to sculpt the subjects’ features brings a sense of raw authenticity and vulnerability to each composition.
Your work has been described as treating photography like painting. Can you elaborate on how you approach photography with an artist's mindset?
I focus through the lens to find the angle and color or the special light and shadow of the object to create an image. It reminds a bit of the paintbrush.
SODOMA XIA (Sodoma X) is a 23-year-old and self-taught photographer and digital currently based in Berlin. (She creates works) about self-expression and self-acceptance. Most of her works are pretty dark, but it is just how she works to integrate into and embrace her Inner self and then maintaining individuality. Her works are infinite darkness. They are horrific but stylised nightmares. They are also reflections of her strong personality.Her works have recognizable high fantasy and satanic styles with extraordinary and provoking colour grading, sophisticated compositing, and exquisite details. They are emotionally provoking pieces, driving viewers into an infinite dark fantasy realm and making viewers forget reality.
Visual reality is an ever-shifting, highly individualized experience. In any given moment, what we see reflects our inner state and synthesis of outer qualities—light, color, movement, and space. Harris’s exploration as a Techspressionist in photographic art represents an attempt to recreate the perceptual experience, with its dynamic nature and hidden complexities. Howard Harris has long been fascinated by both visual perception and design. The Denver, Colorado, USA native earned a BFA from Kansas City Art Institute and a MID (Masters Industrial Design) from Pratt Institute in New York. In 2017, Harris was granted a United States Patent for a Layered Artwork, proving his work's uniqueness and inventiveness. Since then, his work has appeared in many books and publications and is represented by US, U.K., and European galleries.
Manuel, can you share with us what initially sparked your passion for photography, and how did you nurture this interest before formally pursuing it in 2009?
It all started when I was a little boy growing up in small town in central Mexico. I discovered boxes of old photographs that my mother had. I enjoyed looking at them and imagining the stories behind them. Then, my uncle lent me the first camera I ever held in my hands—an old 35mm Pentax camera—and at that moment, I knew that making art would help me search for my own voice, my own space in this immense world. Unfortunately, he asked for the camera back after a while and my economic reality did not give the space and time to nurture my interest in photography until much later in my life.
We are thrilled to announce our new Online Exhibition, "Parallel Worlds." On view till January 20, 2024.
Your work navigates between consciousness and the subconscious. How do you prepare yourself mentally and emotionally to capture these fleeting states in your photography?
I am strongly guided by my intuition both during photography and image processing. I don't think about the result I'm aiming for, but work in a processual and associative way, picking up on spontaneously emerging ideas and impulses. The creative process in my work mainly takes place during image processing. There, too, I intuitively access my collected image material and edit and change it by following spontaneous impulses. The result, i.e. the finished picture, is never planned, but always surprising for me, which makes and keeps the artistic work exciting for me.
You describe your art using words like 'wonderworld nature', highlighting the influence of natural beauty. Can you share a specific moment or experience in nature that profoundly impacted your artistic vision?
Even as a child, I was fascinated by nature and its diversity, by the sun and its play of light and shadow. I loved animals and had a dog called Blacky, he was my best friend. It took me about an hour to walk to school and Blacky was always by my side. He also picked me up on time. This long daily walk through the forest along a railroad line showed me how beautiful nature is in every season and how loyal and loving an animal can be.
Photographer and filmmaker Richard Mosse focuses on war-torn regions, capturing the effects of conflict on landscapes and people in lush, cinematic images.
How would you describe yourself and your artwork?
I describe myself as a thinker, showing my images with a personal style and where each image shows that precise moment in just a few seconds and also the character is transmitting what I have in mind. I try to take pictures with ideas that I feel attracted to since the beginning, leaving my mark as an architect. I studied for my Bachelor’s degree in architecture in Mexico. I have a double nationality; Mexican and Lebanese.
