All in Sculpture
When the creative moment arises, the process unfolds freely, instinctively, and without preconceived planning. The assembly happens spontaneously, guided by an inner rhythm made of gestures, pressures, and resonances. Structure is not imposed; it emerges naturally, like a score taking shape directly within the material—through the same approach with which I have always composed my musical pieces or written the lyrics of songs and poems.
The research method adopted by Luca Marovino is that of direct confrontation with the material. There is no defined project, no model to follow and develop, but it is the stone itself in its natural split form that suggests the creative process. The tension linked to the spontaneous act bears witness to the mood of the moment, an indelible trace of the experience acquired and the thought matured.
Christy Chor is a Canadian ceramic artist who creates a body of narrative-driven sculptural work exploring the sensory dialogue between humanity and the natural world. Her master theme, BACK TO NATURE, unfolds through successive series including Bird, Bear, and her current Mountain works, serving as tactile meditations on wonder, imbalance, and rebirth. An internationally recognized and award-winning artist, Christy's practice merges cross-cultural perspectives, uniting her ceramics education from Sheridan College in Canada with professional experience in Asia's design industry. Through this unique lens, she creates sculptures that are both communicative and masterfully composed.
In my work, the space between figuration and abstraction allows me to move away from literal representation and focus on what makes a form feel alive. Rather than describing anatomy, I build forms according to an internal logic — guided by balance, tension, rhythm, and movement. This gives me the freedom to explore presence as something physical and perceptual, not symbolic or narrative.
Ash Arash Bigdeli (pronounced: âraš, IPA: [ʔɒːˈɾæʃ]) has been working as a jeweler, sculptor, and later as a prop and set builder in the film industry across various countries since the 1990s. With over three decades of experience in wood carving, jewelry-making, pottery, and sculpture, his artistic journey has resulted in the creation of many large and small 3D forms and sculptures, some of which are held in private collections or featured in public art projects worldwide. Since 1992, he has participated in four solo exhibitions and eleven group pottery and sculpture exhibitions, both nationally and internationally.
Karen Bjerg Petersen is a Danish artist whose practice spans painting, bronze, ceramic, and concrete sculpture. With a long artistic career and formal education in the arts, she combines deep material exploration with a reflective approach shaped by her background as a researcher in pedagogy at Aarhus University, Denmark.
Born in Canada, Ber Lazarus is best known for his use of found material in creating unique contemporary sculptural work evocative of our post-industrial age. His passion for making art began while working in Nunavik (Northern Quebec), where he was exposed to some of the most talented Inuit sculptors, printmakers, and textile artists of the time.
Teodosio is a Greek sculptor and shadow artist who creates unique works where the tangible and the intangible merge into one. In his hands, metal, steel, and bronze become forms shaped by light — the invisible made visible. In his art, he explores the boundary between imagination and reality, matter and spirit. When illuminated, his sculptures reveal hidden images — feminine silhouettes, mythological figures, and symbolic forms — where shadow becomes an extension of the sculpture itself.
Born in Carrara on 14/09/1969, he attended the 'Accademia Albertina in Turin two years and is graduated at Accademia di Belle Arti in Carrara. He is specialized in techniques of marble and practiced in sculpture art studios that realise copies of classical and contemporary works, host and collaborate with internationally renowned artists.
Mario Molins: Sculpted poetry and the sacred bond with the earth
Mario Molins(1983, Binéfar, Huesca, Spain) is a multidisciplinary artist with a restless spirit, whose work is a tangible testament to his deep and inescapable connection with Nature. A Fine Arts graduate from the University of Barcelona with doctoral studies, the essence of his art emerges from a mystic dialogue with his homeland, Binéfar.
In situating Mario Molins within the contemporary art scene, we see his singularity: a sculptor who resists spectacle to insist on ceremony, who resists acceleration to insist on continuity, who resists oblivion to insist on memory. His conviction that sculpture can still be spiritual is translated into forms that privilege wound over perfection, memory over erasure, resilience over fragility. The originality of his practice lies in its refusal of superficiality, insisting instead on the deeper rhythm of ritual and the dialogue with nature.
I am fascinated by nature, which is an infinite source of inspiration for me; it's a bit like a bottomless well… In nature, I admire the organicity of its shapes and structures. Wavy sand by the seashore, mountain peaks on the horizon, or even the texture of tree bark give me creative energy.
I am a traditional native american carver and I come from the Confederated Tribes of Grand Ronde in Oregon. I have been carving for over 20 years. I have only been carving for my tribe and community I do not have pieces anywhere else in the world.
My name is Ambro Louwe. Born and living on the Netherlands. I like to make colorful paintings, different kind of sculptures and “wallscapes”. Nature and human emotions are my inspirations resulting in in a combination of abstraction and dynamic forms. I like to work in variety of materials and techniques.
"Art is the language I use to bridge past and future, tradition and innovation. My work explores human connection—through mixed media, painting, digital art, and iron sculptures. Each piece is an attempt to capture fleeting emotions, relationships, and untold stories, transforming them into something tangible and enduring
"Taking inspiration from the figure of the apple and using its shape as a constructive basis, I then modified the aesthetics of each of the proposed apples, obtaining a sort of colorful portrait of a society with a common morphology and a different culture, my intent is that everyone can accept their own uniqueness" In my sculptural work, the apple symbolizes self-acceptance and the uniqueness of each individual.
Art can penetrate deeply into one’s mind, generating different opinions and understanding. My main objective is always to create something meaningful and beautiful, a piece of art that can inspire, bring happiness, and at the same time, positively captivate the public’s attention.
The choice of materials in Caroline’s oeuvre is as eclectic as the symbols she employs. From natural resin to clay, flax to artificial resin, wool to lead, plaster to glass, and bronze to stone — her palette encompasses a diverse array. The seemingly incompatible nature of these materials captivates the viewer. Their contrasting properties create a visual tension that resonates in the overall ambiance of her work.
Dunham is a process-based artist creating 3-dimensional material studies/sketches primarily composed of basic geometric shapes and lines through accumulation. Each study is assigned a numerical title that documents the process and materials used. Her hope is to challenge viewers to pause and appreciate the transformative powers of the creative process and to call attention to the essentially ordinary origins of even the most extraordinary works of art.
My specificity as a sculptor lies in my main tool: the manual plasma cutter. Well-known in the industrial world, it is much rarer in the artistic realm. With it, I cut through thick steel plates, transforming fragments of this heavy material into delicate lace.
