By taking care to remain perpetually myself in painting, I avoid becoming attached to the motivating impulse of a given moment, which begins with the aim of helping reality move forward
All in Interview
Interview with Karen Bjerg Petersen
I have always been interested in what exists between certainty and uncertainty. In my paintings, forms emerge, dissolve, and reappear because that reflects how I experience both human existence and the process of understanding.
Interview with Flo Dinis Klopries
Flo Dinis Klopries is a female interdisciplinary contemporary artist born in Porto, Portugal, and currently living and working at the french/german border.
Interview with Cheraine Collette
Cheraine Collette is an internationally recognized Dutch artist known for her ethereal photographic paintings that merge reality with imagination.
Interview with Carol Wates
Carol Wates is a British artist who creates iPad pictures using the Brushes app. Carol trained at the Chelsea University of Art.
Interview with Fotini Pappa
The artist Fotini Pappa was born in Kamarina, Prevezis. She paints to express her feelings, the silent words of her soul that find a way out and become an image.
Interview with Angelė Šimoliūnienė
I paint when inspiration strikes, when I feel energy in my hands. The stronger the energy, the deeper the works I paint.
Interview with IRIS Fluidism
IRIS Fluidism marks the defining moment of my artistic practice. At its core, it celebrates fluidity—the principle that shapes life, perception, and society.
Interview with Romy Pfeifer
Romy’s knowledge and photography expertise continually advance through her independent, self-directed learning.
Interview with Margaretha Guberbale
Art can achieve the goal of a rethinking interval if it integrates itself as much as possible into nature, where it can find peace.
Interview with Bea Last
My work, particularly the installation ‘’The Red Bags’’ showcases the transformation of discarded and recycled materials into powerful statements on fragility, resilience and hope.
Interview with Aline Pouget
My happiness and my fulfillment are to share my passion, my love of life, the universe, the colors, the light and my multiple emotions with others through my work.
Interview with Simone von Anhalt
I believe art represents the highest form of human expression. It captures what words alone cannot hold: the essence of our experiences, dreams, and emotions.
Interview with Ramón Rivas
In Rivismo, the threshold at which lived experience becomes a pictorial gesture does not appear to be a blurred or accidental boundary, but rather a deliberately explored space where awareness is heightened.
Interview with Sara McKenzie
My painting is less an act of depiction than one of discovery — an inquiry shaped by a life lived between scientific research and visual art.
Interview with Craig Robb
Part of my artistic practice involves the tradition of using multiples to form or create art. Where I combine several of the same item to make a cohesive piece.
Interview with Lynne Douglas
Lynne Douglas is a Scottish-based photographic artist working from the Isle of Skye and the outer Hebrides, internationally recognised for her atmospheric photography and large-format seascapes.
Interview with Harry Salmi
At the core of my work is a deep sense of feeling, big dreams, and bold expression shaped by the northern landscape and lived life. For me, this hybridity is not primarily a visual strategy but a way of thinking and being in the world. It reflects the tension in which we live.
Interview with Kat Kleinman
At heart, both my therapy and collage work emerge from the same impulse, a passion for uplifting the human experience. That impulse has evolved from providing a listening space, to my collages now offering a visual space for reflection. The aesthetic form, my collage, holds space for others’ emotions, as I once held space in therapy.
Interview with Jaehee Yoo
For me, drawing a line is akin to breath meditation. The process of reaching inner stillness closely parallels my creative practice. The tension and shifting emotions generated by short and long breaths condense into images—unspoken states of sorrow, solitude, or even joy. Rather than constructing form through line, I seek to record the places where thought and emotion briefly came to rest.