My paintings are an open dialogue with the world. When physical and abstract art coexist harmoniously. The motifs are symbolic in nature and open to various interpretations. They mostly touch on human life, its feelings, its essence on this earth. I paint without looking, I simply guide the brush across a sheet of paper, following my feeling, without thought.
d. Fect is a mixed-media artist based in Yokosuka, Japan, whose work merges contemporary abstraction with a post-graffiti aesthetic rooted in the raw textures of urban decay. Drawing influence from years spent across the United States, Asia, and Europe, his visual language reflects a global fusion of chaos and culture—where color, memory, and time collide.
His work has a strong personal identity that he applies freely and without limitations. He uses his creativity to be different and look for new artistic proposals that surprise and excite. His imagination is essential to develop creative and innovative works that interact positively with the viewer's gaze. His work is orderly and methodical. He oversees good execution, incorporates scientific themes, balances the composition and makes the painting a passable space for the viewer. As a result, he creates images with precision work, surprising density and visually captivating depth.
Locally and internationally recognized artist, renowned for pioneering Art-Tronic Artwork—interactive 3-dimensional paintings that merge traditional contemporary artwork with electronics. His groundbreaking creations have been featured in Google news write-ups, the Auburn Examiner, and the South Sound Mirror News, as well as in several magazines, earning acclaim for transforming the canvas into a living, multisensory experience that captivates audiences across communities and cultures.
The multi awarded, internationally renowned academical, digital, mediumistic, surreal post pop art fine artist Mrs. Silke Wolff opens a general, secret, supernatural universe with her original graphics. By her broadened consciousness, which she has been developing for 30 years of daily meditative practice, she perceives this sphere of eternal existence.
Tamara Michel paints various artworks using oil, acrylic, and watercolor paints. She applies learned painting techniques to develop and use her own. Her style is a blend of Impressionism and Figurative art.
Mario Molins: Sculpted poetry and the sacred bond with the earth
Mario Molins(1983, Binéfar, Huesca, Spain) is a multidisciplinary artist with a restless spirit, whose work is a tangible testament to his deep and inescapable connection with Nature. A Fine Arts graduate from the University of Barcelona with doctoral studies, the essence of his art emerges from a mystic dialogue with his homeland, Binéfar.
My paintings are a product, a reaction to my life experiences, based on my relationship with the given reality; my poetics actually dwell on that dark side of life—both personal and universal. Perhaps they are my images on the other side of beauty, but I want to express feelings of horror, fright, and the tragic aspects of human existence.
I am Jaime Eduardo Kafati. I’ve been painting since I arrived in the United States in 1978, but it wasn't until 2018, when I retired from my day job, that I was able to devote to my studio to my art on a full-time basis. Between intermittent commissioned works, I engaged in continued figurative studies, attending local life-drawing sessions, exploring new mediums, and creating allegorical paintings that allowed me to express my contemplations of the world.
Barbara Derecka is a contemporary visual artist originally from Poland, now based in Cheshire, England. Working across acrylic, oil, watercolor, and mixed media, her practice is distinguished by its vivid colour, expressive form, and emotional depth. Her artistic vocabulary spans acrylic, oil, watercolor, and mixed media, allowing for fluidity in texture, depth, and colour intensity.
Marie-Ghislaine Beaucé is an artist whose journey is deeply rooted in her fascination with textile materials and their artistic potential. Her exploration of different textures, colours, and forms has led her to develop a distinct visual language that merges the tactile quality of textiles with the conceptual rigour of geometric abstraction.
Vian Borchert is an acclaimed artist known for her abstract expressionist style characterized by a poetic take. Borchert has exhibited for many years in numerous exhibitions in both group and solo shows worldwide. Vian is a graduate and “Notable Alumni” from the Corcoran College of Art and Design George Washington University, Washington, DC. Borchert serves as the Art Lead for the Oxford Public Philosophy Journal, based at Oxford University, UK.
Alisa Chernova enters the contemporary art scene not as a painter alone but as a psychotherapist turned artist, who has transformed the consulting room into the canvas. Few artists embody with such clarity the conviction that painting may serve as a visual laboratory for human subjectivity, where the fragmentary self can be staged, tested, and reconstituted. Her background as a Gestalt therapist infuses every brushstroke with the weight of psychological encounter: each canvas is not a representation but a session, not a depiction but a dialogue.
In situating Mario Molins within the contemporary art scene, we see his singularity: a sculptor who resists spectacle to insist on ceremony, who resists acceleration to insist on continuity, who resists oblivion to insist on memory. His conviction that sculpture can still be spiritual is translated into forms that privilege wound over perfection, memory over erasure, resilience over fragility. The originality of his practice lies in its refusal of superficiality, insisting instead on the deeper rhythm of ritual and the dialogue with nature.
Tatyana Palchuk stands today as one of the most significant European Baltic painters of her generation. Her career, built on discipline, independence, and vision, has produced works of extraordinary technical mastery and philosophical depth. Whether depicting the warmth of family, the grandeur of the sea, the play of musicians, or the liveliness of still life, she has given us images that will endure. In her canvases, one feels the echo of Renaissance balance, the stillness of Vermeer, and the poetry of Chagall, but above all, one feels the unmistakable presence of her own voice: clear, warm, and profoundly human.
In Bech’s portraits, we see more than individuals. We see humanity itself, fractured and whole, fragile and enduring, luminous and shadowed. We see the persistence of the human face as the mirror of history and the vessel of meaning. And in seeing, we are reminded that art’s highest purpose is not only to represent but to reveal.
It is perhaps not an exaggeration to say that Carol Wates’s art is a turning point in the history of drawing. She demonstrates that the discipline can survive the transition from paper to pixel without loss but with gain, gain in speed, in luminosity, in immediacy. Her art is not merely a continuation of drawing but its renewal. In this, she stands as one of the most important visual artists of her generation, ensuring that drawing, that most ancient of practices, continues to live in the present tense.
Patrick Egger is, quite simply, one of the most important painters of our time. His works, whether of the Drus, the Cervin, the Creux du Van, or the quiet marshlands of autumn, extend a lineage that stretches from Friedrich to Turner to the Barbizon school, while remaining unmistakably contemporary. They are acts of devotion to nature, to perception, and to the possibility of emotion in painting.
IRIS, the Romanian born and Austrian based artist, has created such a language. Her invention of Fluidism is not merely a stylistic innovation but a profound philosophical system, a visual and spiritual poetics that binds the act of art making to the elemental principle of water. Her works, resplendent with the seven colors of the rainbow and their infinite interminglings, do not simply depict bodies, animals, landscapes, or faces, they articulate the very liquidity of existence.
Margaretha Gubernale has pursued, with unwavering determination, an artistic vision that resists compromise. Born in Zug, Switzerland, in 1941, Gubernale has forged a path that not only defends the figurative imagination but also elevates it into a symbolic-narrative cosmology of extraordinary depth. Her paintings oil on canvas, carefully crafted with luminous fields of blue and intricate figural arrangements stage a theatre of metaphysical inquiry.
