It is perhaps not an exaggeration to say that Carol Wates’s art is a turning point in the history of drawing. She demonstrates that the discipline can survive the transition from paper to pixel without loss but with gain, gain in speed, in luminosity, in immediacy. Her art is not merely a continuation of drawing but its renewal. In this, she stands as one of the most important visual artists of her generation, ensuring that drawing, that most ancient of practices, continues to live in the present tense.
