All in Contemporary Art
Rania Abulhasan is a Kuwaiti multidisciplinary artist whose work blends fashion, product design, and fine art. Her practice is a meditative reflection on life’s simplicity and beauty, using neutral tones, balanced forms, and subtle contrasts to evoke calm and quiet movement. Each piece offers a grounding experience—a space for stillness and reflection.
I am a traditional native american carver and I come from the Confederated Tribes of Grand Ronde in Oregon. I have been carving for over 20 years. I have only been carving for my tribe and community I do not have pieces anywhere else in the world.
Throughout his travels, Christophe has drawn inspiration from diverse cultures around the world, developing a range of artistic styles while collaborating with clients and establishing his reputation as one of the leading heavy metal logo artists.
My art is about my many life experiences, some of which may leave you highly uncomfortable and some will make you feel you are on the highest mountain peak. My art is imperfect; a true reflection of me and something I now embrace wholeheartedly.
Painting is for me a link between the real world and the transcendent. Apart from artistic values, art should contain a mystery. In each painting, one can read the emotional load that was conveyed to him in the creative act.
I am inspired by my parents and the Old Masters. My art evokes many emotions from others which is always exciting to hear. My goal as a world master artist and illustrator is to be my best with the talent God has given me. In sharing my art with others I want to create art that is enjoyable to look at but also to offer quality investments for art connoisseurs.
R. Geoffrey Blackburn (born 1947) is an American fine artist, inventor, and polymath known for his realistic oil paintings of Western landscapes, particularly the red rock desert vistas of Utah, as well as for inventing a user-interactive art form called "Multi-Dimensionalism," for which he received a U.S. patent in 1990
My visual research stems from the intersection between reality and vision, between historical memory and poetic imagination. After many years working as a photojournalist, I chose to turn photography into a tool for inner reflection and symbolic narration. Each image is born from a layering of elements – documentary shots, urban fragments, traces of human presence – which I rework to create a dreamlike dimension where matter meets the invisible.
As a visual artist, my works are not intended for personal enjoyment alone but to explore complex issues of international politics, economics, war and peace, and state and international relations through the language of art. These works are not only part of the international political landscape but also an objective reflection of the current realities of people's lives.
In my work, my desire is to bring the viewer into a space where they become open to the forces of imagination and spirit. I believe Art can transform us. I believe art can take us to a new awareness, create new sensations, and form. For me, the act of painting is an act of spiritual practice. I enter the painting with body and mind, searching for the images as I wander through the canvas, pickup my guitar, play piano or sit down to write. I am a conjugated artist, working across poetics.
Reinhardt Takeo Hollstein is a Seattle-based mixed-media artist renowned for pioneering the fusion of traditional painting with interactive technology. Born in Salina, Kansas, in 1961, he relocated to Seattle at a young age and developed a passion for art early on.
Corinne Whitaker, aka the Digital Giraffe, has been acclaimed for 47 years as a pioneer in digital imaging and digital sculpture. She has exhibited worldwide in over 80 solo and 260 group exhibitions, including “Corinne Whitaker: Digital Mindscapes” at the Monterey Museum of Art, “Corinne Whitaker dot Uncom” at the San Bernardino County Museum, “No Rules” at the Peninsula Museum in Burlingame, CA., and “CyberSphere” at Stanford University.
The seemingly chaotic application of lines (cross hatches) is intentional, I'm trying to follow in line of the post divisionist paintings, creating a unified fabric of the plane, modeling with parallel hatch marks would go against this, and would make it more of a plastic approach, and would emphasize the distinction of background foreground. In short I'm trying to arrive at impressionistic use of ink as the medium with surreal or symbolic mindset.
My goal is to make artwork that is so beautiful it cuts to the heart of what is true, to create art that is of this moment, but exists as something timeless. It resonates with the person viewing the work as real although it is not quite realistic. It has meaning, although that is not specifically stated because of its use of color or symbolism, or imagery.
After almost three decades of creating art instinctually, I realised my method has a long tradition called Surrealist Automatism. I had finally found a home in Art History. The simple act of putting myself aside and see what wants to be created, has led me on a long creative journey.
Katerina Stavrou is a contemporary visual artist based in Larnaca, Cyprus. She began her academic journey in 2007, studying Visual Arts at the University of Salford, and later graduated with distinction in Fine Art (BA Hons) from Manchester Metropolitan University in 2011.
My artistic practice spans prints, oil paintings, and sculptures—ranging from portraiture and life studies to relief and abstract works. It is driven by a continual investigation into how life’s experiences shape emotions and thoughts over time. In my prints, this is explored through abstract lines; in my paintings, through colour and texture.
Adrian Ghenie (b. 1977, Baia Mare, Romania) graduated in 2001 from the University of Art and Design, Cluj, Romania.
Anne is a Brazilian visual artist who studied Fine Arts at the University of Belas Artes de São Paulo. Her work is distinguished by a unique ability to capture emotions, blending restlessness and tenderness to create vibrant and expressive paintings. Since childhood, art has been a defining presence in her life, profoundly shaping her creative journey.
Rebeccah Klodt stands as a beacon in today’s artistic landscape. Her work is not just relevant; it is necessary. It reminds us that art, at its best, does not tell us what to think or feel. It gives us the space to remember that we already know. In every brushstroke, every textured fold of canvas, and every mirrored glint, Klodt leaves us not with conclusions, but with the courage to keep asking beautiful questions.
