The paintings of Ursula Schmidt Krause unfold as meditations on sensation rather than depictions of objects. They belong to a lineage of abstract practices that understand painting not as representation, but as a register of perceptual and emotional states. Her works appear at first as fragile constellations of marks, soft accumulations of color, and wandering lines that drift across the surface as if guided by breath or memory. Yet this apparent lightness conceals a disciplined investigation into what might be called the phenomenology of color itself.