Interview with Vita Lukstina

I was born in 1967 and grew up in Russia; I have Latvian and Russian blood. In my childhood I attended children’s art school in Russia. Then I went to Latvia and started to study at the Latvian University, Faculty of Pedagogy, in art department. Later I changed to the Pedagogical department of the Latvian Art Academy and graduated in 1993.

Interview with Orit Sharbat

Orit Sharbat lives and works at Tel Aviv, Israel. She likes to paints with passion and intensity. Her authentic style is marked by expressive, powerful colors, mainly oil or acrylic paint on canvas. Her paintings consist of multiple thick layers of color. At first sight, they may strike you as calm and harmonic, but when studied closely, the veneer of harmony and tranquility soon gives way to a multi-layered rich labyrinth of colors.

Antoine Aizier

Transcribing them in different ways, in a mixture of pointillism, impressionism and surrealism, i work with a black ink pen on paper. (0.15mm tip) All illustrations are only pieces of a story, a journey, which will eventually be understood with all parties. These stories are not insignificant ... Indeed, a little character travels in all these paintings, it is the you, the ego ...

Makotu Nakagawa

The subject of death is often of particular interest and intrigue for artists, and for Japanese photographer Makotu Nakagawa it is something he approaches with particular intimacy and clarity; depicting his late father and his body through numerous stages of life, death and the spaces in-between.

Patricia Borges

Patricia Borges, Brazilian photographer and multimedia artist, graduated in architecture, photography, cinematography and screenplay. Awarded at Florence and Rome biennials. Her work has been featured in numerous publications and exhibitions around the world and it is part of major private collections.

Interview with Ai-Wen Wu Kratz

I am of Chinese origin. I came from Hong Kong to the U.S. for college education. I received my BFA degree from Fort Wright College, Spokane, WA and my MFA degree from Cranbrook Academy of Art, Bloomfield Hill, MI. Along the way, I attended Skowhegan School of Painting and Sculpture and New York Studio School of Drawing, Painting and Sculpture.

Interview with Paul Paiement

Paiement has shown widely in solo and group shows in the United States, Europe, and Asia. Most recently Palazzo del Bargello, Museo della Balestra, Gubbio, Italy and the Carrousel du Louvre, The Louvre, Paris, France. Paiement’s work has been featured in numerous publications including New American Paintings, Las Toscana (Italy), Corriere dell’ Umbria (Italy), Ouest (France), Art in America, Artillary, ARTnews, Artscene, Modern Painters, Artforum, The Los Angeles Times, Art in America, The Orange County Register, Artweek, SF Weekly, and the New Art Examiner.

Hopper Prize: Spotlight on the Artists

The Hopper Prize has a strong history of supporting contemporary visual artists through their biannual artist grant program. This is a great program that provides unrestricted financial support to working artists of all backgrounds and disciplines. In the Spring and Fall, 5 artists each receive awards, for a total of 10 grants per year. On top of this, support is extended to an additional 30 artists per cycle who are selected for a shortlist.

Interview with Alfaro Carozzi

Alfaro Carozzi is originally from Lima, Peru / New York. She has worked in New York City most of her adult life. During an interview with Design & Fashion, she told us ” I am very interested in psychology. To create a painting I look at the scene from an analytical and psychological point of view. I see many stories within a story and I invite the viewer to engage and create his own story.

Howard Harris

The starting point of Howard Harris’ creative experience is the observation of the world, of what lives and what surrounds him: every image is the mirror of a story, the memory of a state of mind, the result of a visual and experiential association; it is the trace of an experience which retrieves as well a private dimension.

Interview with Jane Digby

For over 20 years I have been developing my own painterly language through portraiture and atmospheric scapes. I don't seek realism, but rather a catalyst that will begin a dialogue between viewer, painting and artist. My artworks are a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, nationality and a journey with my own physicality and spirituality. I am obsessed with the painting process, but also enjoy running workshops, sharing my knowledge and passion.