Artist Spotlight - Victor Allahara — Contemporary Art Curator Magazine

Biography

Victor was born in Sarasota FL. At the age of 8 he had his first mystical gnostic like experience when he visited his dad in NV and camped out in the Sierra Mountains. From this point on he began to study the esoteric and occult in an attempt to further know himself and better control such mystical experiences.

The Apocalypsis of the Grand Architect, 2019. Acrylic on canvas, 101.6 x 76.2 cm

This eventually led Victor to explore Sacred Geometry in 2003 while looking for a visual representation of our energy field as part of his Qabbalistic studies. While playing with the geometry of star shapes Victor began to channel into a collective that is also aware of such universal sacred geometry. This led him to go on tour from 2011-2014 to show off sacred geometry at 32 music festivals and some 70+ raves and underground parties in an attempt to connect people with the Divine through art.

The Forbidden Fruit, 2024. Acrylic on canvas, 76.2 x 76.2 cm

Victor is currently a single father of two boys who lives in Northern California out of his rv. He spends his time painting, taking care of his children, and going to music festivals to show off sacred geometry. It is his dream to collaborate with other visionary artist, by having them draw out the geometry he's found, and then adding in their ego and talent, and then showing off those works next to his sacred geometry gallery at music festivals.

The Apocalypsis of the Decagram Star Explosion, 2024. Acrylic on canvas, 76.2 x 76.2 cm

Artist Statement

Pentagram Man likes peeling back the layers of sacred geometry in the pursuit of finding a deeper understanding of universal truths which transcend all space and time, and then sharing that in the hopes the viewer will find their own deep understanding through it.

The Apocalypsis of the Hendecagram, 2024. Acrylic on canvas, 76.2 x 76.2 cm

By bringing out the pentagrams that are found within star shapes, I show an underlying symmetry that often resembles facial and body symmetry that is similar to ours, which shows how we may be in the image of our Maker.

The Apocalypsis of the Dodecagram, 2025. Acrylic on canvas, 35.56 x 35.56 cm

Therefore, I see my art as a connection to the Divine, which has been hidden in plain sight since the dawn of time, and to me, such art is holy and in a class all in its own, which should be used for meditation and contemplation.

Pentagram Fractal, 2025. Acrylic on canvas, 35.56 x 35.56 cm

This is the Apocalypsis'. Artistically, I like complexity, in which all of my painted art is black light reactive, glows in the dark, and moves under RGB strobe lighting, which can induce hypnotic states. Thus my paintings are multiple paintings in one depending on the lighting.

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