All tagged Gustavs Filipsons

Interview with Gustavs Filipsons

The painting itself is a portal to the realm of beyond. It encourages a different way of perception. Someone has to be a little distracted, a little scared, and confused to start seeing things differently or as they are. First must be reluctance, then awareness of worth looking further, and the perception of vision afterward. The mind should get preparation in order to be focused differently. We live in a world where focus is fixed, as life is. To a much greater extent, this is established by the system and could be shifted. I encourage the spectator to learn to look without prejudice. This is my goal.

Gustavs Filipsons

Gustavs Filipsons stands as one of the most compelling abstract artists of his generation: a visionary whose works vibrate with psychological force, whose textures carry the weight of spiritual inquiry, and whose commitment to originality has forged a language entirely of his own. His paintings, layered, dynamic, eruptive, meditative, form an atlas of interiority, a testament to the enduring power of abstraction to reveal what the rational mind cannot grasp.

Gustavs Filipsons

Gustavs Filipsons emerges as an intriguing contemporary artist whose body of work presents a compelling case for the vitality of abstract painting in the contemporary art scene. His paintings are a testament to the enduring relevance of abstraction, displaying a profound grasp of texture, form, and the emotive power of color. Filipsons' artworks is an exploration of the abstract expressionism continuum, where each piece offers a unique narrative expressed through bold strokes, layered textures, and an arresting palette.

Interview with Gustavs Filipsons

I was born in 1974, Riga. When I was a child, I was deeply inspired by the cities old architecture and its different moods in different seasons. At that time everything seemed to live its own life and had its special spirit. Dark Art Nouveau style houses in Autumn evenings became alive in feeble lamplight, which was swinging in the wind above the street. Those mythical silhouettes and symbols at that time had much greater influence on me than the bypassing Soviet Era.