In the most recent chapter of her artistic evolution, Dr Natalia Jezova arrives at a visual language that is at once intimate and archetypal, fragile and structurally rigorous. The series Dialogue and Double Vision do not merely represent a new direction in her practice; they constitute a convergence. Years of classical training, theoretical inquiry, and personal transformation coalesce into a body of work that meditates on perception as both a physiological condition and a philosophical state. Here, vision becomes subject and method simultaneously. The eye is not only the organ of sight but the site of questioning.