Interview with Kate Huang

My name is Kate Huang, I was born in 1983 Kaohsiung City, ROC. In 2011 graduates from the Taipei National University of the Arts Fine arts Creation. Specialties-Graphic Design, Painting (Acrylic, Sketch, Watercolor), Clay, Computer Graphocs. Most of my creations use brain cells as the theme of creation to illustrate the interpersonal relationship between people, and combine the abstract internalization with the external scenery to express the internal and external states.

Artist Spotlight - Hugo Martínez Rapari

My creative endeavors, particularly regarding the impacts of global warming and climate change, merge photography with digital art. I hold the view that artistic insights thrive through cross-disciplinary practices, which significantly shape my exploration of various themes. The pieces in this series strike a balance between representational and abstract styles, capturing both static and dynamic qualities.

Artist Spotlight - Tatyana Bondarenko

Tatyana Bondarenko is an abstract expressionist and visual designer with over 15 years of professional experience in graphic design and a degree from the Institute of Design and Advertisement in Moscow, Russia. Guided by intuition, her work explores the subconscious through layers of color, movement, and sensation, serving as an outlet for self-expression and emotional release.

Artist Spotlight - Nora Komoroczki

Nora is a Hungarian artist-painter with the artist name Mano. She was born in Hungary and is still living in the Hungarian capital, Budapest. She’s been painting with oil on canvas for more than four decades, inspired first by the beautiful landscapes in Hungary and other countries where she has been living with her family for a few years (Sweden, Israel, Belgium).

Interview with Ariel Li

Ariel Li is a spatial artist and speculative narrator exploring the connections between space, memory, and identity. Graduated from Royal College of Art, her work examines how spatial narratives and human senses shape our understanding of physical spaces and objects. Focusing on old objects, she uncovers the rich histories and emotional connections they carry, exploring their transformation into new stories through interaction.

Interview with Eric Hubbes

Eric Hubbes is an artist whose work bridges the realms of science, philosophy, and aesthetics. Based in Bonn, his atelier serves as a creative hub where he works on canvas and paper, utilizing a wide range of materials and techniques—including acrylic, watercolour, marker, charcoal, texture paste, and collage. His creative journey explores universal themes such as transformation, interconnectedness, and the cyclical nature of existence. By integrating elements of quantum mechanics, chaos theory, and surrealism into his art, he creates visually compelling works that challenge conventional perceptions of reality.

Art Leaders of Tomorrow: Defining the Future of Art

Art has always been a reflection of its time, capturing the spirit of change and innovation. As we move into the future, a new generation of artists is emerging, bringing fresh perspectives, redefining artistic techniques, and expanding creative expression. Art Leaders of Tomorrow: Defining the Future of Art highlights the visionaries shaping contemporary art today and leading it into new and exciting directions.

Interview with Irina Metz

I often think of my paintings as visual poetry. Just as poetry distills emotion and meaning through rhythm, structure, and metaphor, I try to evoke similar layers of resonance through color, texture, and composition. There’s an economy of language in poetry that I find parallels the expressive choices I make in painting—how a single brushstroke or shift in tone can capture a complex emotional state.

Interview with Steve Rogers

I have always loved the texture and paint strokes of oil. I love the three di-mensional feel of it and I try to achieve that with heavy impasto brush strokes. One of my approaches is to use underpainting and glazing to achieve brilliance. It can be done in oil, but it is time consuming. Acrylics dry within minutes and allow you to almost immediately glaze over the underpainting. I use almost every paint tool designed to build up layers , lay in fine lines and blend soft boundaries in skies. Acrylics allow endless layers of paint as the image is built up and I think it results in depth and complexity