Jon Neal Wallace stands as a testament to the transformative power of education and personal vision in the realm of art. His journey began at the Academy of Art College in San Francisco, an institution that laid the foundation for his artistic endeavors. Wallace’s educational path took a unique turn when he merged art with physics at Vermont College of the UI&U in Montpelier, Vermont.
Analog art remains the foundation of cultural heritage. We strongly believe it should not disappear in the digital age but rather find new ways to thrive while maintaining its authenticity. SYNART provides universal mechanisms that allow artists and collectors to seamlessly engage with traditional art in a digital environment.
And just as it is said that a purple cloud appears in the distance after a person has taken the opportunity to depart, I too hope to be guided by an invisible hand to depart on a certain dimension. My daily creative work is part of that process.
Place to the imaginary, on the border of figuration and abstraction so that reading is not immediate. Nothing must be given to see without a part of ambiguity and mystery. The speed of execution is part of this process: it is the love of the sketch and the unfinished. The ephemeral instant of a world in eternal change.
Art can penetrate deeply into one’s mind, generating different opinions and understanding. My main objective is always to create something meaningful and beautiful, a piece of art that can inspire, bring happiness, and at the same time, positively captivate the public’s attention.
My passion for art has always revolved around beauty, not just in people and places, but also in shapes and colors. With my technical approach to painting, not being certain of the results yet still being driven to produce them is what makes the effort of creation so captivating.
My paintings refer to reality, but they are not meant to be exact. Rather, the paintings represent themselves. They express the mere love for life which I have experienced during my observations. I use color arrangement, positioning of lines and surface texture.
Larisa Sved’s paintings are deeply personal and employ a realist technique that occasionally moves towards abstraction. As a self-taught artist, she is inspired by the natural surroundings of Canada and the Cayman Islands with her detailed depictions of flora and of the local sceneries created to convey messages of peace, harmony and joy.
I am passionate about creating art that captures the essence of memories, perceptions and nature’s unseen rhythms. My process involves blending colors, shapes and textures to create pieces that blur the boundaries between imagination and reality. My paintings create a space where dreams and emotions intertwine, offering a glimpse into the unseen and intangible.
Photography, to me, is more than a profession; it's a lifelong journey of observation, connection, and expression. Through my work, I strive to share the profound beauty I find in the world and to inspire others to discover their unique perspectives.
The bold contrasts and the enigmatic symbolism in Jeong-Ah Zhang's artwork invite viewers into a realm of speculative interpretation, making a profound impact on the observer's psyche. Zhang's ability to convey complex, abstract ideas through tangible imagery sets her apart as a visionary in contemporary art.
Wendy creates paintings that integrate shapes, lines, and colors, juxtaposed with collage elements into cohesive compositions that transform static spaces into vibrant synchronized visual tapestries of contrasting hues. Flowing ideas are manifested that draw the viewer's attention to the brushstrokes, mark-making, and materiality on the surface of each painting that invites the viewer to experience the spontaneous playful chemistry and resonance of her works.
Jean Cherouny paints with her rollerblades to create original, layered, texture paintings with spiraling forms that express her kinetic nature with paint. While earning her Art Education degree she discovered this technique to utilize her athleticism, from a competitive skiing career, to allow her feet to express the energy she experiences through eye, mind and body.
My drawings, paintings, digital and video artwork delve into the depths of human emotions in surrealistic environments that unveil the instincts that reside within our collective psyche. This environment is a response to the societal norms surrounding personal stories that push the boundaries of conventional aesthetics of privacy, personal comfort and belonging.
My work offers formal and textural qualities that both confound and intrigue, inviting the viewer to upend assumptions, to step closer, and to consider the renderings in new ways. I challenge the conventions of art making in two-dimensional works that appear sculptural, and with hand-rendered forms that may be initially mistaken for photographs or digital manipulation.
My work is influenced by nature and the emotions associated with the land’s natural beauty, family, events, and spiritual emphasis; it’s often a combination of these. Although my work has significant meaning for me, I want the viewer to connect emotionally and interpret according to their voice and vision.
My aim is to create artworks that make the viewer think. My lyrical abstract paintings lead them into visual worlds where there is something to explore, something to resonate with. The multiple possibilities of interpreting visual reality give the viewer a sense of freedom and invite them to engage in a kind of intellectual play or experience.
The choice of materials in Caroline’s oeuvre is as eclectic as the symbols she employs. From natural resin to clay, flax to artificial resin, wool to lead, plaster to glass, and bronze to stone — her palette encompasses a diverse array. The seemingly incompatible nature of these materials captivates the viewer. Their contrasting properties create a visual tension that resonates in the overall ambiance of her work.
Dunham is a process-based artist creating 3-dimensional material studies/sketches primarily composed of basic geometric shapes and lines through accumulation. Each study is assigned a numerical title that documents the process and materials used. Her hope is to challenge viewers to pause and appreciate the transformative powers of the creative process and to call attention to the essentially ordinary origins of even the most extraordinary works of art.
I find the greatest joy in using my skills to visualize the thoughts and emotions of others. Everything that could be called my artistic identity has been nurtured through communication with society via my work. I interpret and reconstruct the concepts behind products and narratives through my own perspective, transforming them into visual expressions.
