Léonce Lemmens is a Dutch abstract painter, born in Maastricht (NL).
In her youth Léonce Lemmens always was drawing and painting. She wanted to become a fashion designer and studied at the Art Academy in Maastricht. Her plans changed: during her study she seized the opportunity to work at an advertising agency. A job that led her to quit the Academy. After some years in the advertising/public relations world she took a different path and the next decades she had a meandering career, working in healthcare and corporate organizations.

The love of art and the need to express myself through colours and compositions have always accompanied me. Photographs, nature drawings, nude and portrait painting developed while training as a textile and design engineer have helped me develop handwriting that is as precise artistically as it is sound on an artisanal level. Like many artists of the 20th and 21st century, I have turned from figurative painting first to collage and then to abstraction.

How would you describe yourself and your artwork?

Staying fluid with an open mind really helps to reduce my own boundaries and stay flexible in both my life and artwork. I love to research and explore many styles of art from figurative, abstract, contemporary, and traditional. This is intrinsic both in my mindset and range of artwork.

Suzanne Harkhoe is a Dutch Surinamese conceptual artist and technologist active in installation, painting in mixed media, technology-based art, sculpture, photography and film. She is based in Rotterdam.
Her artworks deal with the exploration and practice of freedom, amongst other subject matter. Her dystopian world view towards contemporary society is born out of her belief in equality and freedom. She is an artist who identifies with the Marxist critique of political society.

After graduating from the University I started working as a journalist in Budapest. Later on, after becoming Editor in Chief of the inflight magazine of the Hungarian Airlines I could travel quite extensively, thus managed to visit wonderful places around the world and meet interesting people that inspired me to a great extent. When I began painting, attended some artist courses both in Budapest and Stockholm. My paintings are in oil on canvas, mainly landscapes, but I love to capture eyes and faces, as well. I had solo exhibitions in Sweden, Israel and Hungary and participated in group shows in Austria, Belgium, Romania and Hungary. My artworks were purchased by collectors in Australia, the USA, the UK and some other countries.

Theodora Dea is an Oslo based artist, who studied visual art at NISS- Nordic Institute of Stage and Studio in the early 2000’s. Back then she made more figurative paintings on canvases. After years with a brush she moved on to liquid arts such as poring, and from there she discovered epoxy resin which is the medium used today.
She uses a mixed media technique of alcohol inc and resin to create organic and geometric shapes, adding gold and shimmer to elevate the 3D effects of the different layers of media, and to make the art playful to light.
Theodora loves nature, everything from the mountains to the ocean and all the way to the far galaxy, from micro to macro. This is where she draws inspiration as well as within. It’s important to Theodora to constantly developing both herself and her art.

From New York, I now live in Sligo Ireland. I received liberal arts masters and bachelors degrees from Fairleigh Dickinson University and Ithaca College, and arts and humanities certificates from Museum of Modern Art, NYC.
I paint and draw with mixed media including oils, acrylics, oil pastels and charcoal, in figurative, abstract and neo-expressionist styles.
I have exhibited and enjoyed representation by art galleries in New York City, Los Angeles, Milan, Waterford, Sligo and Dublin with works currently in residence at Green Gallery, Dublin, Ireland. My work has been sold, auctioned and gifted for charitable organisations and private collectors in the U.S., Europe and Australia.

Howard Harris has long been fascinated by both visual perception and design. The Denver Colorado USA native earned a BFA from Kansas City Art Institute, MID (Masters Industrial Design) from Pratt Institute in New York studying with internationally renowned design theorist Rowena Reed Kostellow. Harris has spent more than 35 years combining design and technology where he has won many prestigious professional awards. Now his creative energy has turned to his lifelong passion, photography. With an iconoclastic streak that had seen him consistently forging new directions in design, he was bound to approach the photographic image in an unconventional way as well.

Claire Davenhall was born in 1978 in London, UK and graduated from the oldest established fine art institution in Scotland, Gray’s School of Art in Aberdeen with a BA (Hons) in Fine Art Sculpture, she studied at Athens School of Fine Art & North Karelia Polytechnic in Finland. Now living in Perth in Western Australia, she has had 8 solo exhibitions and numerous group exhibitions in Australia, New York, Paris and London. She exhibits along side ‘World Class’ artists in exhibitions such as Sculpture at Scenic World in NSW, Swell Sculpture Festival in QLD, Sculpture by the Sea in WA.

S. Korean and Contemporary artist. Majored in fine arts at Ewha Womans University in Seoul, Korea.
4 Selected solo exhibitions in the United States and Korea, and about 50 group exhibitions and art-fairs in the United States, Korea, Italy, the United Kingdom and France.
It also won 19 international awards and won 15 awards in Korea.

JR Rapier, a professional artist living in between Austin, TX and Taos, NM, naturally gravitated to drawing and painting as a child. Gradually through her life she grew more incumbent with her talent as a painter. With a Bachelor of Fine Arts awarded from Texas Tech University in 1996, she spent 20 years art directing print and web campaigns in the spirit of design and illustration.

Natalia Rose is a Danish artist best known for her semi-abstract works which feature pictograph-like symbols painting with broad and heavy brushstrokes. The artist raises questions about the nature of communication and the way in which one can express abstract and conceptual ideas through colour and iconographic markings. For example, in her painting “I” (2016), the artist uses only essential strokes to spell out his name and create patterns of letters across the canvas.