Gil Heitor Cortesão’s paintings look to the design aesthetic of the 1960s and ’70s, depicting spaces characterized by clean, hard lines and generally devoid of human presence. Working off images from ’60s interior design magazines, Cortesão paints layers of paint onto Plexiglas and presents the reverse side of the work when he exhibits them, creating a muted, dream-like quality that suggests the decline of the utopian promises of the Modernist era.
