All in Painting
Nada Kelemenova’s contribution to contemporary art is invaluable. In a world increasingly detached from the organic and the metaphysical, her paintings serve as portals to introspection and reconnection. She stands at the intersection of tradition and experimentation, merging classical techniques with modern structural approaches. Her use of nature as both subject and muse reminds us of our fundamental ties to the universe, while her abstractions challenge the way we perceive reality itself.
Art is so good for the soul. I live and breath art and try to create how I feel. I want people to feel joy and excitement when I show my art. I like a narrative, it has many meanings for the viewer to contemplate within the story. Colour to me is so important to bring the artwork to life. I love all mediums different subjects need different mediums. I enjoy using GoldLeaf to make my art pop.There is never enough time in my life to create everything I want to portray.
Tina Corrales-Mader is an American artist born and raised in Los Angeles, California.
She began her love of visual arts at a very young age mesmerized by Mexican folk art all around her. Growing up, Tina quickly recognized that colors, shapes, forms, music, and creativity is such a basic necessity and she needed to embrace it in any form.
My work uniquely blends photography, painting, and digital editing, effectively dissolving the boundaries between these mediums. This fusion prompts viewers to engage deeply, often leaving them questioning the techniques and processes employed. My creative journey is driven by a desire to stimulate both the mind and emotions of her audience.
From an early age, I was drawn to museums, and my love for Impressionism took shape during those formative years. The play of light, the balance between abstraction and realistic touches—these elements captivated me and left a lasting impression that has stayed with me throughout my life.
An intuitive search for knowledge and an intuitive experience of reality are at the heart of my work. I explore the interference and coherence of soul and body, spiritual and material, space and time, and the struggle for inner freedom in the contemporary realm. I believe that art can lead to the sublime and open the mind, eyes, and heart to that which is beyond.
When seen from a distance, my artwork looks like a painting. The details of the work and mosaic technique slowly emerge when viewer comes closer. Mysterious creatures, people, illusions, waves, a cloud, a wave, and waterfalls, traditional pattern, etc. are recurring themes in my work.
Painting is for me a performative act in which the canvas itself becomes the extension of the body. I intend to use colours, lines and shape in a way that is not pre-defined but open to the unexpected. In my art and painting, I create a space for liberation.
Pilbri - Britta Neumärker is a singular voice in contemporary art, meticulously dismantling visual façades to reveal the undercurrents of human experience. With a career spanning over two decades, she employs painting and photography as a means of excavation—unearthing the tensions between the seen and the unseen, the personal and the collective, the ephemeral and the eternal.
Mother Nature is my master! “I paint what is between her and me. Without rules, LIBRE!
I paint the invisible, the air, the wind, the light, the music of the earth. They are the colorful caresses of my heart"
In my art, I strive to capture the complexity of human existence through a balance of realism and symbolism. My work is an ongoing exploration of beauty, emotion, and spirituality, encouraging viewers to reflect on their deeper connections with the world around them. I believe that art transcends language and cultural barriers, offering a universal means of communication.
Alex Funes Lovis is a contemporary Mexican artist whose work transcends aesthetics to become a channel for healing, consciousness, and transformation. With over 25 years of experience, he has developed a unique style that merges sacred geometry, numerology, color theory, and mystical symbolism. His art not only beautifies spaces but also harmonizes them energetically, acting as vibrational portals that impact those who encounter them.
- art has nothing to do with ideology, policy, religion, every day life, society, context -
My painting is indeed spontaneous. I never start with a sketch. I start to paint on a blank white canvas, primed with several layers of white gesso. And then shape, form, and movement starts to emerge. I am so focused that I don't notice the noise of life passing by on the village street that runs next to my studio. What I am trying to capture is the mood or energy that I find in myself at that moment.
Melina Finkelstein is an Oakland-based geometric painter and rug designer who paints bold patterns on fabric and wood, weaves tapestries out of old paintings and collaborates with weavers and felt makers in Mexico and Nepal to make one-of-a-kind custom rugs under the labels Peace Industry TM and Casa Muñiz Design.
Through his brush the artist highlights beautifully the unique nature of Albanian scenery. Light in his tableaux pours in from invisible sources and spreads following a special code where colour takes priority. Under Pecani’s brush colour sticks solidly into canvas, at times giving the impression of the bas-relief or a structure in motion
Art is a very beautiful and important thing that educates us and makes us appreciate aesthetics. It is a state of mind, it is the way we look at things and look for beauty and harmony in everyday things: in a flower or in a sky or in the smile of someone you love, and this should be able to belong to everyone.
Jon Neal Wallace stands as a testament to the transformative power of education and personal vision in the realm of art. His journey began at the Academy of Art College in San Francisco, an institution that laid the foundation for his artistic endeavors. Wallace’s educational path took a unique turn when he merged art with physics at Vermont College of the UI&U in Montpelier, Vermont.
And just as it is said that a purple cloud appears in the distance after a person has taken the opportunity to depart, I too hope to be guided by an invisible hand to depart on a certain dimension. My daily creative work is part of that process.
Place to the imaginary, on the border of figuration and abstraction so that reading is not immediate. Nothing must be given to see without a part of ambiguity and mystery. The speed of execution is part of this process: it is the love of the sketch and the unfinished. The ephemeral instant of a world in eternal change.
