All in Interview

Interview with Marianne De Roo

Your work often explores the concepts of absence, balance, and discrepancy. Could you elaborate on how these elements manifest in your art and why they hold such significance for you?

Absence creates a tension which creates interest. The key is to paint a portrait that startles you. You want to keep looking at that face, and you wonder who it is. Where does that person come from ? What are they thinking ? The title doesn’t give away much. The facial expression could be understood in a myriad ways. This is what I call absence. I prefer not to reveal too much, leaving room for interpretation - even though portraiture is at the core of figurative painting.

Interview with Felix Kindelán

My works are like diary entries. I use them to process current or past events from my life. Even for me,  it's not always immediately clear what exactly the works are about. Sometimes I work specifically on an emotional issue or let myself be guided spontaneously to the composition. My own interpretation of a work can therefore change over time. "Life is lived forwards and understood backwards," said the Danish philosopher Søren Kierkegaard. I agree with that. That's why I think it's even necessary for viewers to make their own interpretations of the works in order to trigger as many thought processes as possible in all directions.

Interview with Les Oeuvres d'Eos

EOS is a minimalist cosmic painter. Eos is one of the most appealing pseudonyms, since it symbolizes the goddess of dawn among the Romans and whom Homer nicknamed “The goddess with the fingers of roses. » Even more promising, she is the herald of the arrival of light. Which is a beautiful similarity with the work of our young artist EOS, playing on universal light and chiaroscuro games when she works on the nude in a mixed technique draped in mystery and enigmatic poetics. A sort of veiled beauty of the inaccessible woman residing in our dreams. EOS is a multidisciplinary artist. EOS, Laura, had some favorable predestinations since she comes from a family of Polish artists, which, let's face it, can in no way harm the prospects of a multidimensional artistic career. EOS transports us into an imaginary cosmic space between sky and earth.

Interview with Dalia Slep

In my artistic journey, the fusion of economics, advanced mathematics, and abstract art is not a compartmentalized endeavor but rather a harmonious blend that weaves through the fabric of my creative process. These seemingly distinct realms find a common resonance within me, influencing not just the themes but the very essence of my work. However, it's crucial to note that these influences are not merely external forces shaping my art; rather, they become integral components of my inner world.

Interview with Nard Lee

Unveiling the dualities of life, my art thrives in the spaces of light and shadow, loss and hope, defiance and compliance. I employ rich, intense hues that beckon while challenging, orchestrating a magnetic tension within each piece. A distinctive union of acrylic, chalk, and oil pastel ignites a confrontation of textures and tones, amplifying the potency of the work.

Interview with Mariángeles Lázaro Guil

GUIL  works mainly in the field of public sculpture and installation in outdoor spaces. He has a predilection for abstract emotional geometry. He is inspired by nature itself, which he explores mathematically and transforms it with the desire to subvert its apparent forms, those of the human imagination, and the notion of proportion in sculpture. It belongs to the avant-garde of the second half of the 20th century in Andalusia. He has received numerous awards in national and international art competitions for Public Sculpture and Singular Architecture. 

Interview with Jason “Turtle” Hannon

 As a kid I lived on and off with my Aunt who was a formally trained oil painter with a Masters in Fine Art and practiced in a high fantasy type of art with a lot of mythological themes in her works. I was always excited to occasionally peak into see in her studio and the progress she would make on rather large paintings. She was very into the renaissance period. I just remembered the scale and realism was always fascinating to me how she could achieve such types of work, it seemed you could almost feel the hairs on a head of a figure or the emotion conveyed in the facial expressions so clearly.

Interview with Vasile Stefanoiu

Your artistic credo suggests a deep belief in the communicative power of art. Can you share an instance where you felt your work deeply connected with an audience, effectively conveying its intended message?

My sculptures do not hide anything, the message is all the easier to receive as the viewer intuits the greatness of Greek mythology and the digital pulse of the new era, having the revelation of the lasting dialogue between classic and modern, static and dynamic, and corporeal and abstract from my sculptures.

Interview with Caroline Degroiselle

I'm an autodidact when it comes to LIFE in general. I'm curious and eager to discover, and reducing myself to an academic approach doesn't suit me. I've evolved with courage, hard work and passion, over the course of my life as a woman artist, giving myself the freedom to create my own writing and offering myself the challenge of not resembling anyone by not locking myself into an academicism or fashion. At the start of my career, this may have seemed inconsistent to art professionals, but over time it has become an asset of authenticity.

Interview with Enzo Forgione

Enzo Forgione  lives and works in Turin, Italy where he get a degree at Fine Art Academy. After graduation he has many  experiences between applied art  and design until 2006 when he starts painting full time. His first solo show is held in Turin In 2009,  followed by many other solo and group exhibitions in his country and abroad.

Interview with Raúl Vega

Could you share with us the story of how you first became interested in photography? What were your initial steps in this field, and who or what were your early inspirations and influences?   

While at the school of Architecture in Florence, Italy I became a very good friend of a fellow student who was also very interested in photography.  We ended up traveling together through parts of Europe and N. Africa after the school year taking pictures.  We inspired each other.  My early inspirations were Avedon.  My first serious camera was a Rolleiflex twin lens reflex because that's what he used.  Then later, I loved the work of Guy Bourdin and Hiro.  

Interview with Teresa Bellini

Since 2018, Teresa has attended painting classes in Padua. During the 2020 lockdown, she experienced an intense creative period that led her to consider painting as an essential part of her life. She participated in group exhibitions in Italy, Europe, and the United States, and she exhibited her artworks in two solo exhibitions in Italy. Three Galleries in New York represent her.

Interview with Cecilia Arrospide

My first experience with art was at home. My mother was a fine artist, and apart from watching her paint, I shared with her books on artists she had.  At school, I also was good in art classes because I had the ability to draw. I believe art is in my bones, I come from a family of artists, my first atistic vocation was iterature, but afterwrads I stared painting and never left it.  I went deeply into this great and profound world, and I am passionate about it.

Interview with Edward Bakst

Can you share your journey towards becoming a successful artist? Were there any pivotal moments or challenges that shaped your career?

For me, life in general offered both challenges as well as inspiration motivating my strive forth, inspiring ideas and need for expressing and sharing my personal and emotional expressions. I deem that growing under Communism sparked strong rebellious reactions against feeling of oppression and lack of freedom of speech. My artwork of that period was very defiant. Yet, once a wave of antisemitism swept my former country, these feelings intensified. A new sense of pride in who I am arouse. It further intensified when I found myself being chased by many of my own classmates, now former friends, whose eyes and minds were soiled by governmental propaganda. Rebelling against being seen as less equal, I chose to resign my citizenship, becoming a political refugee, departing as both stateless as well as a persona non grata.

Interview with Simon Hafele

Reflecting on the evolution of my artistic style, the trajectory of my work can be traced back to the initial inklings seen in the graduation poster I designed for the Elbigenalp carving school. The naivety of my 18-year-old self manifested in those early creations. Subsequent journeys to India acted as a catalyst, lifting the fog and providing clarity to my artistic vision. Over the years, my perspective has matured, resulting in refined brushstrokes and a clearer view of my artistic intent. While adhering to my fundamental approach in art, I have delved deeper into areas of interest, such as sacred geometry, Fibonacci sequences, and the philosophical and mythological underpinnings of symbols. These elements seamlessly integrate into my art, reinforcing my thematic focus on love, mysticism, and the supernatural—embodied by the motto "die to live."

INTERVIEW WITH Simon Darling

My journey into the world of art is intricately woven with the influence of my mom and her innate creativity. From the very beginning, she provided a nurturing environment that encouraged exploration, imagination, and self-expression.
My mom, herself a creative soul, instilled in me a deep appreciation for the arts. Our home was filled with colors, textures, and a constant flow of creative energy. Whether it was her own artistic endeavors or exposing me to various forms of art, she cultivated an environment that fueled my curiosity and sparked my initial interest in the world of creativity.