All in Contemporary Art
Jiawei Fu's recent series of paintings is a testament to the artist's profound ability to encapsulate the human condition with a raw and poignant brush. Through the medium of acrylic and eggyolk on canvas, Fu embarks on a visual exploration of the intricacies of human relationships, often oscillating between intimacy and detachment.
Bruce Cowell's collection of fine art photography is a testament to the power of visual storytelling through the lens of a camera. His work is a captivating blend of humanity, nature, and the urban landscape, each frame meticulously composed to not only capture a moment in time but to also evoke a profound emotional response from the viewer.
Weronika Raczynska’s paintings are a vibrant testament to the power of color and form to evoke emotion and narrative. Through a bold use of paint and a distinctive style that marries abstract and figurative elements, Raczynska creates works that are at once deeply personal and universally resonant.
Derek Morris's mixed media sculptures are a testament to the innovative spirit that contemporary sculpture can embody. With an engaging and harmonious use of color, form, and space, Morris's works offer a refreshing and energetic perspective on the medium.
In your professional journey, what have been some of the most significant challenges you've faced, and how have you adapted your approach or technique in response to these challenges?
I feel a bit sheepish in admitting it, but, instead, I’ve been surprised, even amazed, at the success I've had.
There are, of course, the technical challenges from continuing to work in film—finding film suppliers and processors. For a time, I figured I would be compelled to switch over to digital photography despite my preference for the film image, but, although I still consider myself one of the dinosaurs who sees the asteroid coming, I no longer think film photography will die out before I do…
Marcelle Mansour’s oeuvre is a rich tapestry of visual narratives, each piece a story unto itself. For instance, her work that captures the essence of heritage through a powerful female figure adorned in traditional attire, resonates with the strength and grace of cultural identity. The intricate patterns and vibrant colors not only celebrate the past but also breathe new life into it, asserting the relevance of heritage in the modern age.
Robert Irwin Wolf’s sculptures are a testament to the artist's profound understanding of form, space, and the intrinsic qualities of his chosen materials. Each piece is a unique exploration of the relationships between nature, the man-made, and the interplay between light and shadow, form and void.
McKinley’s paintings invite viewers into a world where the boundaries between the interior and exterior, the tangible and intangible, are blurred. Each piece is a contemplation of space, form, and color, masterfully executed to transport the observer to a place that is both otherworldly and grounded in reality. His use of light and shadow is particularly noteworthy, as it adds depth and dimension to the spaces he creates, making them seem almost inhabitable.
Simon Hafele’s artistry stands as a vivid testament to the boundless potential of contemporary painting, where each piece serves as a conduit to a world thrumming with vibrancy, complexity, and a profound depth of imagination. Hafele’s work, characterized by an exuberant fusion of color, form, and motion, propels the viewer into a realm that transcends the canvas's flat surface, suggesting a multilayered universe that defies conventional perception.
Ted Barr's latest art series, RECO - Revealment & Concealment, is an extraordinary exploration of the intricate dance between what is seen and what remains hidden. In this captivating collection, Barr takes us on a profound journey, challenging our perceptions of reality and inviting us to consider the layers of experience, emotion, and memory that shape our individual understanding of the world around us.
Sannie Guo's collection presents a harmonious blend of minimalism and impressionistic touches that resonate with the viewer through their simplicity and understated complexity. Each painting, with its serene expanse of color at the top, subtly gradates into a field of textural brushstrokes, suggesting a landscape abstracted to its emotional essence rather than its physical form.
‘STYLE’ in my art is not my objective, each piece is an adventure in both process and substance, the technique is developed according to a need for expressing an inspiration, developing the means to create visually an inner feeling, or thought. I am inspired by a belief in the healing spirit of art.
The Paintbrush artist Pu Wei, a native of Kunming, Yunnan, China, is well-known as an “innovative color of Surupa painting” artist in China. She was reported in Chinese influential art webs, magazines and newspapers, TV, and CNC world news, and participated in international art exhibitions in New York, London, Paris, Strasbourg, Miami, San Diego, Dubai, Tokyo, Italy, Spain, Portugal, Switzerland, etc. and won many international art awards.
What were the biggest challenges you faced when you first started out as an artist in NYC and LA, especially coming from a family with no background in art, theatre, film, or politics?
My biggest challenge was my own ignorance. There was a lot I needed to learn about the world, and about myself. Growing up, I had a passion for politics, art, and classic movies, but I struggled in school and didn’t know what to do with those interests. I think for every artist it’s vital to see a path that connects where you are to where you want to be. That can come from knowing art history (personal stories, not just chronology), exploring the contemporary art world, and being part of a community.
Miro Frei was born 1974 in the small town Aarau in Switzerland where he also grew up. He studied history, geography and German studies at the University of Zurich. He had been working as an artist since 2004. In 2007 he exhibited his paintings at the Kraftwerk gallery in Berlin. In 2009 he was asked to participate in the Florence Biennale. Frei’s installation „Dada is growing up” in 2014 at the artclub in Cologne received a lot of attention. Also in 2014, he exhibited his paintings in a show of the art scene Berlin at the Petrus Church in Berlin Lichterfelde. After the Florence Biennale 2013 he decided to exhibit at the Artifact gallery in Lower East Side. In January 2022 he exhibited at the Kunsthalle Bern. In 2023, he graduated from the F+F School of Art and Design with a degree in art. Further expositions in Berlin, Innsbruck, Zurich and near Zurich.
Dina Torrans has been working as a multimedia artist for over 25 years. Her award-winning artwork has been exhibited in numerous solo and group exhibitions internationally and is included in many private and public collections. After graduating with awards from The Art Centre at Central Technical School in Toronto, she worked as an instructor in both the Sculpture and Printmaking Departments for over 10 years. She has been a Visiting Artist and Speaker at, among others, the McMichael Gallery, York University - School of the Arts and The Toronto Board of Education.
You have experimented with canvas painting, sculpture, and other mediums alongside graffiti. How do these different art forms influence your approach to graffiti, and vice versa?
Canvas painting has the virtue of taking me out of my comfort zone. I quickly believed that painting on canvas was like a scaled-down wall... one needs to take the time to understand the preparation processes, and all of this was new. I am currently preparing for an international contemporary art exhibition for Art Shopping in Biarritz in collaboration with p(art)s Paris, who shapes metals and combines them with my paintings in a splendid manner. I'm looking forward to that date!
In the vibrant tableaus of Caroline Reid's artworks, one encounters the vivid essence of the semi-alpine region that she calls home. Reid's oeuvre is a celebration of the natural world, a kaleidoscopic journey through landscapes rendered with a joyous palette and an exuberant stroke. Her paintings, which she creates in the company of her three dogs during her rambles, transcend mere representation. They become an intimate chronicle of her dialogues with Mother Earth, each canvas an act of reverence and exploration.
Marco Benedetti’s oeuvre is a testament to the intricate dance between mediums, a symphony of traditional photography and diverse artistic methods that culminates in a rich tapestry of mixed media art. His works are a deep reflection of historical richness blended with modern-day relevance, bridging the gap between epochs with a nuanced understanding of form, emotion, and texture.
Armando Cabba’s artistry is a captivating journey through the intricate dance of portraiture and abstraction. His canvases are realms where the visceral and the ethereal coalesce, presenting a duality that is both profound and accessible. Known predominantly for his portraits, Cabba's works are more than mere representations; they are emotional landscapes painted with the vibrant palette of human experience.
