All in Art Review
Margaretha Gubernale has pursued, with unwavering determination, an artistic vision that resists compromise. Born in Zug, Switzerland, in 1941, Gubernale has forged a path that not only defends the figurative imagination but also elevates it into a symbolic-narrative cosmology of extraordinary depth. Her paintings oil on canvas, carefully crafted with luminous fields of blue and intricate figural arrangements stage a theatre of metaphysical inquiry.
Standa’s position within the international art scene should be regarded as essential. He represents the survival of modernism’s experimental drive, infused with the subjectivity of an émigré who has lived across geographies and cultures. In this sense, his career recalls that of great visionaries such as Paul Klee or Antoni Tàpies, figures who made abstraction into a form of ethical reflection. His paintings matter because they remind us that to create is also to care, to imagine is also to heal, and to look is also to remember.
Kat Kleinman’s collages emerge at the intersection of psychology, photography, and handicraft, a confluence that makes her contribution to contemporary art both singular and necessary. In an era where cynicism masquerades as sophistication, her unabashed commitment to joy reclaims art’s most elemental function: to heal.
There are artists who paint beauty. There are artists who craft worlds. And then, there are artists like Emela Brace Nomolos, who summon codes from the cosmos and deliver them to humanity as transmissions, not canvases. To review Nomolos’s oeuvre is to engage with a body of work that transcends art as we know it; it is to encounter a visual and spiritual philosophy, a sacred practice, and, ultimately, a radical invitation to remember.
To stand before an Almosawi canvas is to feel the intimacy of a whispered confession and the gravity of a cathedral. It is to sense that art still carries revelation. His canvases will outlast their moment because they do not belong to fashion; they belong to time. Almosawi confirms what we have always known but too often forget: the truest purpose of art is not to mirror the world but to transform it.
Hailing from the dual heartlands of Finland and Estonia, Salminen lives and creates between two cultures, two coastlines, two visions of Northern beauty. Her work is not merely admired; it is collected, exhibited, and quietly celebrated across Europe and the United States in galleries in Italy, Germany, Spain, the UK, and far beyond. And it is little wonder why. For what she brings to the contemporary art world is not just technical finesse and chromatic brilliance, but an emotional honesty that disarms.
Rebeccah Klodt stands as a beacon in today’s artistic landscape. Her work is not just relevant; it is necessary. It reminds us that art, at its best, does not tell us what to think or feel. It gives us the space to remember that we already know. In every brushstroke, every textured fold of canvas, and every mirrored glint, Klodt leaves us not with conclusions, but with the courage to keep asking beautiful questions.
In the fluid, ever-redefining world of contemporary visual art, few voices carry both the weight of philosophy and the poetry of form quite like Jeong-Ah Zhang. Born, raised, and based in Seoul, South Korea, she emerges not just as a painter, but as a profound existentialist who uses canvas, color, and symbol as portals to metaphysical dialogue. Her work defies the binary of image and meaning, instead functioning as a continual meditation on what it means to see, to feel, to exist.
To view Sandy Iseli’s paintings is to be momentarily transported. One hears the wind in the grass, feels the warmth of sun on the skin, and remembers that beneath our concrete world lies an older, softer, more vibrant earth. Her mastery of color, emotional intelligence, and unwavering vision mark her as one of the most soulful painters working today. In a world desperate for peace, Iseli does not just offer an escape. She offers a return.
Janie Dugan stands as a visual philosopher, a contemporary seer whose works offer both an elegy and an invocation. Much like the medieval illuminators, the Surrealists, and the Abstract Expressionists before her, she understands that the artist’s role is not merely to depict but to reveal. In her inked forms, in her layered compositions, one finds echoes of something ancient, something future, and something entirely now.
The work of Ivana Gagić Kicinbači stands at the precipice where materiality and transcendence converge. This Croatian artist, who navigates the liminal space between drawing, visual poetry, and digital printmaking, produces a body of work that does not merely invite observation but rather demands contemplation. The essence of her artistry is deeply rooted in the metaphysical, resonating with a pursuit of inner freedom, an engagement with temporality, and the revelation of the sublime through matter.
Henrique Diogo, a self-taught contemporary artist from Poços de Caldas, Brazil, is a striking figure in the modern art world. At just 24 years old, his work already exudes the maturity and depth of a seasoned master, demonstrating an extraordinary ability to merge theoretical knowledge with artistic intuition. His career, deeply rooted in philosophical and mathematical exploration, transcends mere aesthetics to offer a synthesis of human thought through abstract art.
Michael K. Owino’s artistic journey is not just a testament to talent but to relentless dedication, innovation, and the pursuit of artistic truth. His ability to create thought-provoking and emotionally charged works places him in an elite category of artists who are not merely concerned with form but with the very essence of human experience. His pieces communicate stories, emotions, and philosophies that transcend time and culture, making his work universally impactful.
Nada Kelemenova’s contribution to contemporary art is invaluable. In a world increasingly detached from the organic and the metaphysical, her paintings serve as portals to introspection and reconnection. She stands at the intersection of tradition and experimentation, merging classical techniques with modern structural approaches. Her use of nature as both subject and muse reminds us of our fundamental ties to the universe, while her abstractions challenge the way we perceive reality itself.
Kathrin Kolbow’s photography operates in the liminal spaces of human experience, where the real and the surreal converge in an intricate dance of ambiguity and revelation. In her work, the body becomes a site of transformation, pain becomes a form of beauty, and the subconscious manifests in strikingly visceral compositions. With an oeuvre that spans years of introspection, technical precision, and fearless artistic integrity, Kolbow stands as a significant force in contemporary photography.
Pilbri - Britta Neumärker is a singular voice in contemporary art, meticulously dismantling visual façades to reveal the undercurrents of human experience. With a career spanning over two decades, she employs painting and photography as a means of excavation—unearthing the tensions between the seen and the unseen, the personal and the collective, the ephemeral and the eternal.
Kathleen Kilchenmann’s art is a celebration of nature, a meditation on the passage of time, and an invitation to reconnect with the world around us. Her works, rich in texture and meaning, occupy a vital place in contemporary art, addressing pressing environmental concerns while offering moments of introspection and wonder.
At the heart of Heining’s art lies her profound connection to nature, a relationship she nurtures as both muse and collaborator. Each brushstroke and color choice reflects the symbiotic dance between humanity and the natural world. For Heining, nature is not merely a backdrop but a living, breathing entity that infuses her work with vitality and introspection.
In a world where conformity often overshadows individuality, Loretta Pena stands as a testament to the transformative power of art. Her journey, beginning in 2021 as a self-taught artist, encapsulates not only her personal story of healing and growth but also a bold artistic statement that refuses to adhere to conventional boundaries.
Danisa Glusevic Ferreira’s art operates as a profound exploration of the human and natural condition. Born in Santiago, Chile, in 1965, and now based in Düsseldorf, Germany, Ferreira embodies the duality of rootedness and transience, crafting works that are as intellectually rigorous as they are emotionally evocative. Her practice, which spans decades and continents, charts a course through abstraction, figuration, and a deeply felt engagement with the organic and the urban.
