Artist Spotlight - Sonia I. Roseval
Biography
Born in Tunis, Tunisia, and raised in Montreal, I am a dynamic artist whose journey spans continents and cultures. My early life was shaped by an intellectually inquisitive father and a creatively skilled mother, nurturing a sense of wonder and curiosity that continues to inform my work. At twelve, I began drawing portraits, marking the start of my artistic path.
Connections that hurt borders, 2025 freehand ink on arche acid free 300lb watercolor paper 154.94x 114.3 cm.
Entirely self-taught, my techniques have evolved organically, guided by intuition and meditation. My artwork often features intricate sewing patterns inspired by my mother, symbolizing deeper states of consciousness. This personal yet universally resonant approach forms the core of my creative exploration.
Beginning of life series #1,2025 Freehand ink drawing on acidfree 300lb watercolor paper, 152.x101 cm.
Influenced by my travels and inspired by masters such as De Kooning and Cy Twombly, I maintain strong ties to the Lasalle Artist Association and L’Aquarium Foundation, which support my unique vision.
Beginning of life series #2,2025 Freehand ink drawing on acidfree 300lb watercolor paper,152x101cm.
My art has been exhibited in galleries across North America, including the Marden Art Gallery (Pointe-Claire), Eclats art Contemporain, The Belgo Gallery of Nova Scotia, Gallery of Greater Victoria, Pierre Boucher Museum, and Museum of Mont-Saint-Hilaire.
Beginning of life series #3,2025. Freehand ink drawing on acidfree 300lb watercolor paper,152x101 cm.
I have received accolades such as the Honorable Mention at the 2023 AIMPE Japan Awagami Mini Print Japanese Juried Exhibit, the Prize for Harmony for Humanity (2024), the International Prize Leonardo Da Vinci (Milan), and the International Prize Phoenix in the Arts (Venice).
Quantum retrocausality#1,2019/2026 Freehand mixedmedia on yupo,76x55.88cm.
My work has been featured in publications such as the Art in America Guide, Art Virtuoso catalogue, and on the cover of Revue Plastir. Notable collectors include the L'Assemblée Nationale du Québec and the Aquarium Foundation in Montreal.
Quantum retrocausality#2,2019/2026 Freehand mixedmedia on yupo,76x55.88cm.
My evolving journey underscores a commitment to touching lives globally through art, which I regard as a vital element of contemporary life. My work represents my core values and makes a compelling case for the indispensable role of art in society.
Quantum retrocausality#3,2019/2026 Freehand mixedmedia on yupo,76x55.88cm.
Artist Statement
My work in Japanese ink on art paper, created through freehand drawing and inspired by meditation, is a captivating expression of my inner world and my connection to the larger universe. Delicate, lace-like patterns—formed by circular and geometric shapes with repetitive lines—symbolize the unity of consciousness. Through intuitive brushstrokes, these forms coalesce into a harmonious whole, reflecting the interconnectedness of all beings.
Quantum retrocausality#4,2019/2026 Freehand mixedmedia on yupo,76x55.88cm.
This practice serves as a reminder of the profound beauty and unity that can be found through artistic expression and meditation. My art invites viewers to contemplate their own place within the interconnected web of existence and to embrace the conscious unity that binds us all.
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Quantum retrocausality#5,2019/2026 Freehand mixedmedia on yupo,76x55.88cm.
Organized Chaos series#1,2024, Freehand ink drawing on acidfree paper,20x25 cm.
Foredged inks #1,2025 Freehand natural foredged material on yupo, 71.12 x 55.88 cm.
Foredged inks #2,2025 Freehand natural foredged material on yupo, 71.12 x 55.88 cm.
Foredged inks #3,2025 Freehand natural foredged material on yupo, 71.12 x 55.88 cm.
Foredged inks #4,2025 Freehand natural foredged material on yupo, 71.12 x 55.88 cm.
Foredged inks #5,2025 Freehand natural foredged material on yupo, 71.12 x 55.88 cm.

