Everything starts randomly, like a sort of throw of the dice: placing geometric shapes on the stretched canvas or paper based on the principle of composition. Each shape carries within it the design of the six or seven others that compose it: lines and forms emerge from this intersection, which itself generates many more to come. Gestures, color fields, and lines, whether white, black, or colored, attach in turn to these generative forms in the unpredictability of a “free association” process.