All in Painting

Interview with Leigh Witherell

Interview with Leigh Witherell

ContemporaryArtCurator
Interview, Painting, Contemporary Art

Painting in the melancholic style is a captivating and emotive genre that evokes a sense of sadness and introspection. This artistic approach often utilizes muted colors, somber tones, and shadowy imagery to convey a mood of melancholy and introspection. Artists who delve into this style explore themes such as loss, solitude, longing, and the transient nature of life. From the brushstrokes to the subject matter, every element in these paintings is carefully crafted to evoke a deep emotional response from the viewer. The melancholic style serves as a powerful medium for artists to express their innermost thoughts and feelings, creating a profound connection between the artwork and its audience. This is where award winning artist Leigh Witherell lives.

Interview with Bob Hendriks

Interview with Bob Hendriks

ContemporaryArtCurator
Painting, Interview, Contemporary Art

As someone who has successfully ventured into entrepreneurial projects, including a commercial photo licensing company and a branding agency, how do you balance your business acumen with your artistic pursuits?

Being an entrepreneur I always look for new possibilities. My outlook on life is to make things better and or more beautiful. I think that this goal equally applies to business and art. For me, business and art feed each other and provide me with challenges, inspiration and satisfaction in my everyday life.  

Interview with Ted Barr

Interview with Ted Barr

ContemporaryArtCurator
Interview, Contemporary Art, Painting

Your work beautifully merges celestial imagery with human biology, particularly inspired by Lennart Nilsson's photography. Could you elaborate on how this fusion shapes your artistic narrative?

I would say that first it shaped my believes and way of life, the artistic narratives emerged later. It has to do with a phrase I use often in my writings, I call it the separation illusion , meaning that we are accustomed to see the world as accumulation of separate entities. Viewing the celestial elements brings in mind that we are part of a much greater reality, our body is built out of trillions cells, the universe is created out of trillions galaxies, each cell has a nucleus and is composed out of myriad molecules and atoms, each galaxy is composed out of stars as our Sun and planets. 

Interview with A.C.Rosmon

Interview with A.C.Rosmon

ContemporaryArtCurator
Painting, Contemporary Art, Interview

You've exhibited your work extensively, both in Denmark and abroad. Which exhibition or venue has been most impactful for your career and why?

Apart from the fact that the State-recognized Censored Exhibitions give you access to even better exhibition venues, all exhibitions give me something, because I always try to design my exhibitions for the place and according to the possibilities that the place offers. The post-criticism is also important to me.

Interview with Jaime Monge

Interview with Jaime Monge

ContemporaryArtCurator
Interview, Painting, Contemporary Art

As an architect with a strong background in design and creativity, what inspired you to transition into the world of painting, and how do you feel your architectural training has influenced your approach to art?

The main reason to transition into the world of painting would be the freedom to express my ideas without the limitations that I might have found in architecture. Being so, I would say that architecture gave me the tools to express myself artistically.

Interview with Ewa Zeller

Interview with Ewa Zeller

ContemporaryArtCurator
Contemporary Art, Painting

You work with various mediums like oil, acrylic, pastel and watercolor. What draws you to these mediums, and how do you decide which one to use for a particular piece?

These are traditional painting techniques that are easy for me to use. I don’t mix techniques. I often paint outdoors, taking oil or watercolor with me, and pastels as a spare. The choice of technique is a matter of course without any thought; intuitively, I reach for a brush or a crayon. However, I love to paint portraits in oil techniques because they offer a lot of possibilities. Oil provides opportunities to obtain additional planes and unexpected exposure. Oil gives softness and plasticity.

Interview with Pablo Guillamon

Interview with Pablo Guillamon

ContemporaryArtCurator
Contemporary Art, Painting, Interview

What future projects are you most excited about, and are there any new directions or techniques you are eager to explore in your upcoming works? 

Now I'm working quite a lot, works in abstract digital art. My latest series, Mars and Venus, is a sample of these works in the abstract. I am passionate about researching along this path in which all digital techniques are mixed to achieve shapes and colours that produce different sensations and emotions. 

Interview with Chiara Casco

Interview with Chiara Casco

ContemporaryArtCurator
Painting, Digital Art, Contemporary Art, Interview

Could you delve into your background a bit more and share what pivotal moments or influences led you to pursue a career as an artist? How have these initial inspirations continued to shape your work over time?

Growing up I never stopped dwelling on creative attitudes, as an adult I started going to an artist studio in Trastevere every Friday as I brought my studies ahead. Then in the summer time I went to London to study portraits at Wimbledon school of art. Where I found my style in drawing.  My studies brought points to my natural attitude but what really made me think without thinking in art was university, where I studied architecture at Ludovico quaroni- la sapienza. There forms and colours and a different discipline in studying made me cooperate between antropic and analogical drawing.

Interview with Eugene Kuperman

Interview with Eugene Kuperman

ContemporaryArtCurator
Contemporary Art, Painting, Interview

Looking back on your own experiences and achievements, what advice would you give to emerging artists who aspire to reach similar levels of success and recognition in their careers?

My advice is to create work that you truly believe in. If you believe in and love what you do, other people will notice it. There are different ideas of what success is. In today’s banal world, it’s mostly measured by currency, but to me, there are more important aspects of art than the price tag, such as the ideas, quality, and philosophy behind the works. An artist who chooses to make art their path must first decide what it is about art that is most important to them and then give it their all in this direction, putting in 100%, nothing less than that.

Interview with Olga Goldina Hirsch

Interview with Olga Goldina Hirsch

ContemporaryArtCurator
Contemporary Art, Painting, Interview

Her artworks document the dynamics of inward journey towards recovering the obliterated memory, from the initial gaping voids and blank spaces present in the compositions, towards the airy, light, vibrant and open inspirational cosmic spaces, replete in meanings. From them, you can trace the trajectory of her inner artistic, spiritual and personal journey, which still continues. Her artworks are like palimpsests, and each viewer can focus on different layer. 

Interview with Bex Wilkinson

Interview with Bex Wilkinson

ContemporaryArtCurator
Interview, Painting, Contemporary Art

Your approach to painting is characterized by bold brushstrokes and a free-form application of paint. How do these techniques help you express the 'mess' of the human experience?

As John Lennon says, "LIfe is the thing that happens when you are making other plans." Yep. We may think we are moving in one direction and then POP! something happens and we find ourselves in a completely different direction. Now, I'm sure that some people lay out their life plans and follow it to a tee. But for the rest of us, it's a mess. It's a beautiful, turgid ride- this Being Human. 

Interview with Chris Silver

Interview with Chris Silver

ContemporaryArtCurator
Interview, Contemporary Art, Painting

Your artistic journey seems deeply intertwined with your personal experiences, particularly regarding mental health. How do you navigate the delicate balance between expressing your inner world through your art while also connecting with a diverse audience?

My artistic journey is intricately woven with personal experiences, especially those related to mental health. Navigating the balance between expressing my inner world and connecting emotionally with a diverse audience is crucial. I believe good art should have soul and evoke emotions, making use of varied themes like nostalgia, pop, and expressionism to ensure broader accessibility. By playing with colour, I aim to depict inner anxieties and spark emotions in viewers.

Interview with Chaitali.V Purushothaman

Interview with Chaitali.V Purushothaman

ContemporaryArtCurator
Contemporary Art, Painting, Interview

CHAITALI. V. PURUSHOTHAMAN is a Multi-Award-winning Successful Entrepreneur having multiple Careers as a WORLD RENOWNED Professional 25-Time International Award-Winning High Vibrational Energy shifting Positive Vastu Painter- Energizer, Feng shui Painter, Spiritual Painter, Vastu Consultant and Vastu Corrector for changing, balancing and shifting the Energy of space from low-Negative to high –Positive frequency, Vedic Astrologer, Illustrator, Fashion illustrator, Spiritual Aura Astro Astral Healer -Coach- Mentor, Psychic , Chakra Therapist Balancer, Therapist for children and Adults, Counsellor, Couple Counsellor and also a Stock Investor and has made an extraordinary mark in all her Fields.

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