Interview with Tim Grosjean

Could you please introduce yourself and tell us how you started in the arts? and your first experience in art making?

Art was always part of myself. It was a way to express and communicate with the world without words. For me, is my artistic sensibility related to some life situation that I went trough my young age. It was my way to connect and understand the world.

Sève Favre

Sève Favre is a contemporary Swiss artist and an art historian. For several years now, Sève Favre has focused the main part of her artistic work on abolishing the classic frontier between a work of art and a spectator. She explores fields covering both abstraction and coloured sensations, figurative themes or the musicality of words to increase the sensorial experiences and reflections generated by art. 

Fatinha Ramos

Fatinha Ramos is a Antwerp-based illustrator and visual artist originally from Portugal. After her graduation as a graphic designer in Porto, she moved to Belgium. Twelve years later after working in art direction and design, she made a switch on her career following the old dream of becoming a full-time illustrator, and to work on different artistic projects. 

Chantal Joffe

Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. Whether in images a few inches square or ten feet high, fluidity combined with a pragmatic approach to representation seduces and disarms.

Interview with Time Lin

Where do you get your inspiration from?

In the past work style, I need to be creative every day. My head has been trained to produce in a short period of time. However, art is a perceptual thinking, and it depends on the brewing, precipitation, rumbling, and presentation of the heart. It takes more time, and later discovers that travel is an excellent model that allows art to think through the tempering of time, creating an intriguing and eternal viewing.

Lyuben Petrov

Lyuben Petrov’s approach to painting is characterized by expressive painting representation, clear intensity and energetic paste-like spreads of color or distinctive plasticity. His fantastic and grotesque subjects are often tinged with satirical aesthetics and comical hyperboles. The Bulgarian painter, often deals with themes of the relationship between people and nature as well as the cycle of life and death, often with apocalyptic undertones.

Martine Johanna

Martine Johanna's work is largely autobiographical. Using color, form, and composition as language, she investigates the role of women within a patriarchal culture, beauty, adolescence, oppression, inner worlds and dualism are themes recurring in her wordless communication with both figurative and abstract elements. 

Kris Knight

Kris Knight is a Canadian artist whose paintings puncture the membrane between dream and reality, historical and contemporary, light and dark. Within their apparent ambiguity, Knight’s sensitive character based paintings and portraits of queer men are an evocative combination of romanticism and nostalgia, exploring notions of performance in both an everyday and theatrical dimension.

Stephanie K. Clark

Utah-based artist Stephanie K. Clark considers herself a painter, but the works she creates are not made with a traditional painterly medium. Using embroidery techniques and strands of floss in a spectrum of colors, Clark paints little houses, landscapes, and other scenes that look as if they exist in the natural world and are being lit by the moon or sun.

Daniel Bilmes

Daniel Bilmes is a contemporary painter, working in Los Angeles. His approach is characterized by deep personal exploration, combining realism with elements of symbolism and abstraction. Through tactile textures and delicate expressions, his paintings weave together the magical and mundane. His work is at once hopeful and brooding. Realistic and symbolic. Somewhere between the vitality of the Russian circus and the gravitas of a Churchill speech. 

Sho Tsunoda

‘Being an international individual has helped me to think globally and made me aware of how to make paintings that will potentially communicate with many people of the world regardless of their cultural background. While I embrace our personal uniqueness, I seek collective humanity in all we share’. -Sho Tsunoda